The Architectural Review Commission will reconsider design reviews for façade modifications at two El Paseo storefronts: Herman Miller at 73425 El Paseo and Bucherer at 73680 El Paseo Drive. They will also consider a new sign program and monument sign for a business park at 73-800 Dinah Shore Drive. The meeting includes approval of previous minutes and informational updates.
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Transcrito automáticamente del video oficial de la reunión (voz a texto — puede contener errores).
Commissioner Gregory? Here. Commissioner Lakovic? Here.
Commissioner Sanchez? Here. Commissioner Vucsic? Here. Vice
Chair Blakely? Here. And Chair McIntosh? Here. We have a qu
orum. Thank you. This time has been set aside for the public
to address the Architectural Review Commission on issues
that are not on the agenda for up to three minutes. Spe
akers may utilize one of three options listed on the first
page of the agenda.
Because the Brown Act does not allow the Architectural
Review Commission to act on items not listed on the agenda,
members may briefly respond or refer to the matter to staff
for a report and recommendation at a future meeting. Will
the recording secretary please give instructions for
attendees participating virtually?
If you're joining us by Zoom and would like to provide
public comment, please use the raise hand function at the
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If there's anyone who wishes to speak at this time on an
item that's not on the agenda, please raise your hand to
speak.
There are none.
There are none.
It's unfortunate.
Okay, item one, the consent calendar.
All matters listed on the consent calendar are considered
routine and may be approved
by one motion.
The public may comment on any items on the consent calendar
within the three-minute time
limit.
Individual items may be removed by Architectural Review
Commission for a separate discussion.
Approval of the minutes.
Second.
I have a motion by Latkovich, second by Gregory.
Vice Chair Blankley?
Yes.
Commissioner Gregory?
Yes.
Commissioner Latkovich?
Aye.
Commissioner Sanchez?
Aye.
Commissioner Vucic?
Aye.
And Chair McIntosh?
Yes.
Motion carries, 6-0.
Okay, business items.
Reconsideration of a design review for facade modifications
for Herman Miller and an existing
storefront located at 73425 El Paseo, space 110.
May we have a staff report on this item, please?
Yes, one moment.
Good afternoon, Chair and Commissioners.
My name is Peyton Thomas, an assistant planner with the
Development Services Department.
And today I will be presenting on the Herman Miller continu
ance for permit number DR 260002.
The project applicant is permits today.
And the request for ARC is the design review approval for
the proposed facade modification
to an existing storefront for Herman Miller, located at 734
25 El Paseo.
On April 14, 2026, ARC continued the project with the
following motion.
Motion to continue to give the applicant a chance to
revisit the detail of the standing
seam at the top and the bottom of the facade and to include
detail on the side profile.
Just a reminder, the project location is on the south side
of El Paseo and it's east of Lupin Lane.
So, in response to the motion, the applicant provided an
updated elevation to the storefront,
more accurately showing the drip edge on the top,
as well as updated elevations from a side profile and a
profile showing the view while looking up at the storefront
.
In addition, there was added detail to two sheets, sheet 8A
211 and sheet 9A212.
Section detail showing more detail on the plaster pier, as
well as detail on the storefront ceiling plan at the corner
.
And then, in addition, they also updated, this is just the
rear elevation.
And then, staff recommends, we have determined that the
findings have been met and recommend a project for approval
.
If design comments arise during the discussion, staff
recommends the ARC outline the requested changes
and incorporate the comments as conditions of approval.
That's it.
Thank you very much.
Does anybody have any questions for staff?
No?
You had said you reviewed it.
And all the responses addressed the comments that we had
made in the previous meeting?
The findings were met during the initial review before the
continuance and nothing has changed to change those
findings.
Wait a minute.
Wait a minute.
So your findings in the original presentation, were you
recommended approval?
Yeah.
And I think what he was asking is if the conditions that
you all laid out, if each condition was addressed in the
resubmittal, and the answer is yes.
Okay.
Good.
All right.
At this time, would the applicant, is the applicant online?
No.
No.
No.
Yes, we're here.
Good afternoon. Welcome back.
Thank you.
Well, our planning staff made a really nice presentation,
explained what's going on with your resubmittal.
Do you have anything to add?
We are just trying to add one more person.
I don't know, Peyton, if that's something you can help us
with.
Alex Hirsch.
She's on the call, but not able to speak.
There you are. Can you hear me now?
Hi.
Yeah, we can hear you. Thank you.
Great.
Well, anything you would like to add at this point to the
presentation
that we might have missed?
No. As Peyton indicated, we have updated all of our render
ings.
We added the drip edge onto the elevation.
I believe that was missing prior.
And we did submit a narrative noting the fact that while we
took your comments into consideration
and reviewed the drip edge detail, we feel really confident
in this design.
And so we're hoping that our updated renderings really sort
of articulate and illustrate that for you.
So as the designer, are you happy with the updated detail?
Again, it's not an updated detail, but we are happy and
very proud of this design.
We've been working on this for nearly a year now.
So we hope that that sort of shines through in the updated
rendering package.
So are you indicating that nothing changed then?
Correct.
So these are more or less clarifications than they are any
sort of a design change, right?
Yep. Yeah, that's correct.
Correct.
All right.
Any members of the commission have a question for the
applicant?
I've got one since basically nothing has changed.
What in regard to the landscaping in the back change, if
anything?
There is no landscaping at the rear.
That's just a parking lot.
We don't have our lease line does not extend into an area
that would require landscaping.
Thank you.
Thanks.
So I have a few questions.
And forgive me, I know it's probably in one of these
details or maybe Peyton said it, but
how deep vertically is the drip edge on the face of the
building?
Yeah, we discussed.
Oh, Emily, I'll let you take that one.
It's two inches deep.
So it's not.
It's not a large profile.
Two inches?
Mm hmm.
Okay.
Yeah.
Another question.
And thank you for providing that view from an angle so we
could see the front and the
side in perspective.
What is the finish and the color of the plaster that's at
the bottom?
You have the standing seam face and then and then it
transitions on the bottom into a plaster ceiling and also
on the side where this monolithic form of standing seam
turns the corner, goes back about six inches and then
transitions into plaster again.
What is the texture and the color of that plaster?
Any provided physical samples?
Any provided physical samples?
Are they not there?
I believe your team actually reviewed them two weeks ago
during the last ARC meeting.
Okay.
I'm sorry.
I just can't remember.
I guess where I'm going with it is is is the plaster the
same color as the standing seam?
It's a complimentary color.
Okay.
And then is the is the plaster is the plaster smooth?
Yes, it is.
Okay.
What I'm kind of wondering since the standing seam is is
the same color.
The seam is is smooth.
Um, on the sides where transitions to plaster if I'd like
to hear other commissioners opinions on this but I'm
throwing this out for the applicant.
Would it be would it be a good idea to make the plaster the
same color as the standing seam just so there's it's it's
it's more.
It's more it's more of a continuation of of this smooth.
Um, this smooth.
Um, you know certain color that that makes up the entire
monolith instead of making it more noticeable that it's
transitioning from metal to plaster.
Um, what does the applicant think about that first.
Um, we're pretty opposed to that idea.
Um, I mean, fundamentally.
This, this, this store, um, has a very intentional design.
Um, the idea and the intent was not for this to be a mon
olith.
You know, we're trying to distinguish ourselves from the
Apple store, which is just a few storefronts down.
Um, that's why we didn't go with a, uh, sort of a flat
metal panel.
We intentionally chose the standing seam with the small
depth that it has.
We wanted the articulation.
Um, while the plaster is not identical to the colorway of
the standing seam, it is again, quite similar and very
complimentary.
Again, to sort of sound like a broken record, a very
intentional design.
Um, you know, we are a mid-century brand built on the ethos
of industry and these materials really reflect that.
Um, and we want to make sure that we stand out on El Paseo
and we want to make sure that we stand alone, um, as Herman
Miller and have a really prominent storefront.
So like a thousand times over, I can really, really whole
heartedly assure you that all of these materials were, um,
selected specifically for this location.
They have not been used at any other Herman Miller in the
world.
Um, and we feel extremely confident in the colorways and
the finishes and in the use and application of all these
materials.
Okay.
Um, hey, Peyton, could, could we project the, the image
again that shows it from an angle?
Can you zoom in on the image on the right?
Oh, there you go.
I just, I just wanted to, I just wanted to see it better in
light of the applicant's reason for making the plaster a
different color on, on that side.
Yeah, I'm looking right.
I want to see that, that edge.
Um, okay.
Uh, that's good.
That's good.
No, we had, it was good.
Can you go back up again?
Okay.
Thanks.
Uh, and then one, one final question.
Uh, I remember, um, Chairman, um, McIntosh asked last time
about the standing seam at the bottom.
When you're looking up at it, the nature of that material
is that you've got, you've got these two sort of crimped
pieces of metal that one overlaps over the other one.
And that's what you see on the edge of it. Um, what, what
were your thoughts about that when you're looking up at
this? It's, I think it's only about 10 feet in the, in the
air. Um, so you're going to see it, you know, really
clearly.
What, what were your thoughts about that when you're
looking up at this? It's, I think it's only about 10 feet
in the, in the air. Um, so you're going to see it, you know
, really clearly. What are your thoughts?
I'm sorry. Are you referring to the underside of the soffit
at our storefront?
Yes.
That is 12 feet up in the air.
Okay.
And, um, I, I suppose if I, I'm going to just continue to
repeat myself. We have considered this detail. We believe
that this is the best way to, um, have these two materials
meet. Um, I think Emily at the last arc meeting, um, sort
of went into detail about how it's just, uh, and Emily,
correct me if I'm wrong.
I believe it's a, uh, just a J bend. Um, it will be
finished in the field. The, the, you know, the sort of end
of the standing seam. Um, these two materials will meet
similarly to how the plaster meets our storefront material.
I mean, if, if you're comparing or concerned with how a
metal meets a, a, a finish, another finish, one could argue
that any storefront metal meeting any other type of
material is also of concern. And that doesn't seem to be
the case.
With any storefront on El Paseo. So I'm sort of wondering
why this particular finish, these two particular finishes
are, are of concern to the committees.
I'm only asking about one material and that's the, the
metal. When you're, when you see the, the end of that, of
that standing seam and you see the, the two pieces of bent
metal. Um, and I'm just, I'm just sincerely asking what,
you know, what, what is that going to look like? Is that
going to look finished?
It will. Yeah. It's going to be finished in field. It'll be
painted to match.
So you're going to paint the end of the metal.
Correct. Yeah. It'll be sprayed to match the paint finish
of the face of the standing seam metal, which is just shop
painted as opposed to field painted.
And the, the folds will be visible. Um, Herman Miller is
aware of that and feels good about that direction.
Yeah. Correct.
Okay. I don't have any other questions. Thank. Thank you.
Any other commissioners? No questions.
I haven't asked that question, even though it's not in our
purview at the moment, it will be later when they do the
sign.
Is your sign lit or is it backlit to add on to the facade?
The sign is backlit.
Okay. Thank you.
Okay. Hearing that we have no more questions for the
applicant, we'll close the public hearing and take a moment
for any other comments by commissioners on this project.
Well, hearing none. Do I hear a motion for approval?
I make a motion to approve as presented.
Okay. I'll second that motion.
Commissioner Vuckiewicz. aye. Commissioner Sanchez. aye.
Commissioner Lachvik. Aye. Commissioner
Gregory. Aye. Commissioner Blakely. Aye. Chair McIntosh.
Aye. Motion carries 6-0. All right.
Thank you very much. Okay. Item number 5B, reconsideration
of a design review for a facade modification
for an existing storefront for Bercher located at 73680 El
Paseo Drive. May we have a staff
report on this item please. And commissioners if I may we
do have a material
board to pass along for you all to see during the
presentation.
Did we look at this last time? Was this submitted last time
? It was.
Okay. Good afternoon chair and commissioners. My name is
Peyton Thomas, an assistant planner
with the development services department. And today I will
be presenting on the Booker Continuance
permit number DR 260007. The project applicant is permit
resources and the request for ARC is
the approval of design review approval of the proposed
facade modification expanding an existing storefront
located at 73680 El Paseo. On April 14, 2026, ARC continued
the project with the following motion.
Motion to continue this item with the conditions that the
applicant remove the cornice on the
eastern half of the building, maintaining the same building
height that the eastern half currently has,
and that the landscaping is cohesive for the entire
building. As a reminder,
the location of the project is on the north side of El Pase
o, east of Larkspur Lane. In response to the motion,
the applicant removed the cornice on the eastern expansion,
keeping the height.
And then you could also see that the cornice has been
removed from the proposed rear elevation.
The proposed landscaping includes the proposed landscaping,
the proposed landscaping includes golden barrel cactus,
peris agave,
Mexican fence posts and cigarro cactus.
In addition, the applicant also included halo lighting
around the metal portals, the addition,
as well as two recess LED lights at the entry vestival.
Staff have determined that the findings have been met and
recommend project for approval. If design comments arise
during this discussion,
staff recommends the ARC to be approved for the
construction of the building.
the request of changes and incorporate the comments as
conditions of approval. Thank you.
Thank you very much. Any questions for staff? None. Is the
applicant online today?
Hi. Yes, this is Christine Fiorello from Kenneth Park
Architects. Well, good afternoon. Thank you for joining us
today.
Thank you for having me.
All right. Well,
do you have anything to add to that presentation that was
just made?
Just to add that I know we talked about having some co
hesion. That was our original design intent.
But having with the rear facade, having those ins and outs,
we wanted to create the same depth at the front of the
facade.
So we have removed the cornice. We feel very confident in
the corners removal.
And we have explored the halo lighting at the front to
create some cohesion with the existing store, but also
creating a slightly different look to create a little bit
more depth in that long frontage.
Okay, great. Is that it?
I believe that's it. I, I, I, Peyton did a great job
explaining the landscaping in the back, the change that we
made there. So nothing to add for the rear facade.
Okay. Well, I think your building makes a nice statement.
Thank you.
Any commissioners have questions for the applicant?
Yeah, I'm just curious. I really like the, what you did
with the landscaping on the north side.
And I'm not a landscape architect. So I'm just, I'm just
asking here, are those, are those plant selections going to
do all right on the north side of a tall building?
Most of them are at the rear facade currently on the right
hand side of if, as you're facing the rear facade.
The only added one was the cactus, the saguaro cactus. The
others are currently seem to be doing well.
Okay.
The agave and the golden barrel and the Mexican fence posts
.
Is there a reason you chose not to add any landscape
material where the, where the fire riser is?
We're concerned that it would be creating a hazard to that,
to that condition over there.
We want to keep it free so it doesn't prevent the fire
department from getting in there.
Okay.
So we figured something that would be, we added the stone
columns to create a, a little bit more interest in that
area to connect it as a whole, but not creating any hind
rance.
Is, isn't it pretty common to see some plant material
around a fire riser?
Yeah.
I mean, there's certain required clearances, but I think it
's only a couple of feet.
Depending on the space that she may have, if you have more
than five feet available, then there's opportunities for
some of these, uh, plant, uh, selections that you already
made.
Like the golden barrel won't, won't impede into that space,
especially since this, uh, slow growing and then your, uh,
agave as well should be fine in there.
But it all depends on how much space you have in that
allocated space between, um, the, what was it? A fire?
Yeah, whatever, uh, access the fire department might need
into that.
Um, I'm just, um, kind of focused on that right now because
I, I think your design looks really good.
I think removing that cornice was a really good move.
Um, when I look at that rear elevation, that spot kind of
jumps out at me.
It just looks sort of unfinished.
And, uh, I know you're putting basalt columns there, which,
you know, that's, that's actually quite expensive, I think.
Um, but it seems like you might get more bang for your buck
by just having some landscape like you have on the right
and the left.
We could check the, the clearances required for code.
I can advise that there's currently about four feet.
On the left hand side.
And if we remove the columns.
Then we probably have, uh, I think they're not quite
centered.
So I think we have six feet on that side.
Well, it's not a fire hydrant, right?
It's a fire department connection.
It's a riser.
Right.
Right.
So I believe it's a riser.
Yes.
Yeah.
So that has a different requirement for clearance than a
fire hydrant.
Um, so I think it would be interesting just to check
because I agree that, you know, it's right.
It's front and center and it just feels a little empty
right there.
And I think just a little bit of plant material fill in
that empty planter right now would really complete your
project nicely.
Okay.
That's something we could look into.
And you would be okay then removing the columns and replace
it with the agave and golden barrels?
Uh, yes.
Yes.
I, I, I, I, I, well, I can't speak for everyone, but I
think that would be a good trade.
Okay.
I would even venture that it's nice seeing the Mexican
fence post, like book ending the building.
And if it were also in the middle planter with the, uh,
Paris agave and the golden barrel, it would, um, kind of
help bridge the gap.
Given that, um, the planters are essentially on the left
side and the middle side of this graphic, they are set in
front of almost a double story wall of stucco.
Um, that it might help soften the building.
Yeah.
And, and, and I agree with that too, because, um, it just
sort of looks like you want a little bit of verticality
there.
Yeah.
It's a, it's a big wall that it's in front of.
Yeah.
Screen those mechanical doors a little bit.
Yeah.
Screen those mechanical doors.
Does that, does that make sense?
That was to add the Mexican fence posts and replacement of
the columns.
Yeah.
If I, after consulting with the fire department, as far as,
um, any clearances required for the risers, if you were
able to fill in that planter with additional plantings from
your selection here for consistency,
in lieu of adding the basalt columns, um, I think you would
get more bang for your buck, uh, both financially and, and
aesthetically.
Okay.
Understood.
Good.
Any other comments?
That sounds like a motion.
All right.
Well, I, I, I, I don't have any further comments for the
applicant.
All right.
Okay.
Okay.
Well, hearing no other comments, uh, we'll close the public
hearing and, uh, gather any additional comments from
commissioner.
Yes.
All right.
I have a question for commissioner Sanchez.
Saguaro cacti.
They're not really native to Coachella Valley.
They're more of like a, an Arizona specialty.
They thrive out there.
How do you see Saguaro fairing out here?
Not that they don't exist, but you don't see a lot of them.
Could you comment on that?
Yeah.
They, I mean, they will do just fine out here.
Um, for this application, I wouldn't use it.
I would use just the same plant palette that's already
there, which would be the Mexican fence
post and the agave periae in the golden barrel.
I wouldn't stray away from that, especially in that small
plant.
So I'm not sure how big it is, but I wouldn't put it in
there for the long term of the, of the life of that plant.
Because those would actually need full time sun.
Correct.
Very educational.
Thank you for asking that question.
Okay.
Yeah.
Hearing other comments, would anybody like to make a motion
?
I wouldn't take a step at that.
Okay.
I would like to make a motion that the applicant, uh,
replace or remove the Saguaro spec entirely from the
project and reuse the, um,
Mexican fence post spec on the east side planter, which is
left side of this graphic.
And that the applicant also, um, after consulting with the
fire department, um, replace the specified basalt columns
in the central planter and replace those with additional,
um, planting from the approved three specs that we've
discussed.
Too wordy.
No.
To be clear.
That's a approval of those conditions.
Correct.
You're recommending approval with those conditions being
taken care of.
Yes.
Okay.
I'll second.
Commissioner Gregory.
Aye.
Commissioner Sanchez.
Aye.
Commissioner Lackovic.
Aye.
Commissioner Buczyk.
Aye.
Vice Chair Blankley.
Chair McIntosh.
Aye.
Motion carries.
Six zero.
A sweep.
Okay.
Moving on to item five.
Consideration to approve a new sign program and monument
sign for an existing multi-scale project.
Okay.
Mr. McIntosh.
Aye.
Commissioner Buczyk.
Aye.
Vice Chair Blankley.
Aye.
Chair McIntosh.
Aye.
Motion carries.
Six zero.
A sweep.
Okay.
Moving on to item five.
C.
Consideration to approve a new sign program and monument
sign for an existing multi-tenant industrial
business park located at 73 800 Dinosaur Drive.
May we have the staff report, please.
Good afternoon, Chair and members of the Architectural
Review Commission.
My name is C.
He Fernandez, Senior Planner with Development Services here
to present on SARC 25-0002.
This is for a sign program and monument sign for the Dinos
aur Business Park.
So the project applicant is Best Signs.
They are requesting approval of a comprehensive sign
program for a multi-tenant industrial business
park located at 73800 Dinosaur Drive along with a monument
sign intended to keep the -- to
help improve the site identification.
This is a vicinity map showing the location of the project.
The project is located northwest of Dinosaur and Spider
Circle.
The project is located within the service industrial
district.
The project is located within the service industrial
district.
It's completely surrounded by service industrial and then
it's bounded on the north side by the
10, which is the city limits.
So the project property is part of an industrial business
park that was originally approved under a precise plan back
in July of 2005.
The development allowed for 11 one-story industrial
buildings for approximately 65,000 square feet on a five-
acre site.
For the sign program that they are proposing as part of
this application.
This is how they're identifying the location of the
permanent signs as well as the monument signs and where
they're going to be located on the building's facades.
Some key provisions from the sign program.
The maximum sign area for each sign is 50 square feet.
Maximum individual letter height is 24 inches.
The placement is to be at 70 percent of the tenant frontage
.
The installation is supposed to be within and not exceeding
20 feet in height.
The location is the same as the tenant frontage.
The location is the same as the tenant frontage.
The location is the same as the tenant frontage.
The location is the same as the tenant frontage.
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The location is the same as the tenant frontage.
The location is the same as the tenant frontage.
The drive aisle coming out of this center is a right turn
only.
So it really doesn't impact as far as visibility.
Here's the elevations of the sign for the monument sign.
This is an aluminum cabinet design with channel letters.
The colors are inspired from our city's approved.
The color choice.
Also, too, the cabinet itself is going to be painted warm
gray and Union Springs, which complements the building.
For the dimensions, it's 5 feet in height and 10 feet in
width for a total of 50 square feet.
This is placed 8 feet behind the public right of way.
This is not an illuminated sign as it's being proposed.
Here are some of the other monument signs within the area.
So just kind of adding some context as far as the different
types of monument signs that are out there.
As far as for staff's review, we review it based against
the findings per section 25-56.100E.
As proposed, the sign does meet those standards.
And staff is recommending approval.
For staff's recommendation is that ARC approve the request
for the comprehensive sign program and for the monument
sign.
As the findings have been met.
I know for this one, this one kind of fell a little bit
behind as far as staff's review.
So we're strongly encouraging that if there's anything that
needs to be added, that it be added as a condition of
approval.
This one was kind of a miss on our end.
So we're trying to help the applicant as far as moving this
item along.
That concludes staff's presentation.
Staff is available for comments and questions.
And the applicant is also in attendance.
Thank you very much for that presentation.
Any questions for staff?
I just want to make sure I'm clear.
So the monument sign you said is not illuminated?
Correct.
Okay.
Not even with like landscape lights or something?
I'll defer to the applicant, but my understanding is that
it's not illuminated.
Okay.
And then my other question was, did you say that the
building signs are halo lit?
So there's different types of signs.
Okay.
So it's reverse lit channel letters, face lit channel
letters.
Ah, okay.
And then the flat cut out letters.
Okay.
Which is shown in their...
Yeah, that's what I'm seeing here.
I just thought I heard you say they're halo lit.
Yes, on sheet five.
Yeah.
So that's gonna be on the left side where it says tenant
identification signs.
So it provides details on what those signs are gonna look
like.
Okay.
I had a question on the lighting.
Each tenant's gonna have their own signature sign, but
everything's gonna be lit the same?
So there's two options for illuminated signs and then there
's an option for just the flat
cutout letters, which is not illuminated.
So there's, in essence, no consistency with all the signs,
other than the scripts.
Each one has their own logo.
But at nighttime, there'll be different lighting.
So I'll leave that question for the applicant if they can
clarify.
Okay.
Thank you.
So you had mentioned in your presentation that these colors
selected were approved Palm Desert
palette.
Is that a...
I'm not aware of a preferred color.
So it's part of the city's branding as far as the colors
that have been selected.
It's not something that we're requiring.
It's just something that they took inspiration from and
that's what they're proposing.
So try to...
And that's those orange colors?
So it's a variation of the different colors.
It should be the second attachment.
I don't have it in front of me.
I don't have it in front of me.
I don't have it in front of me.
I don't have it in front of me.
I don't have it in front of me.
I don't have it in front of me.
I don't have it in front of me.
I don't have it in front of me.
I don't have it in front of me.
I don't have it in front of me.
I don't have it in front of me.
I don't have it in front of me.
I don't have it in front of me.
I don't have it in front of me.
I don't have it in front of me.
I don't have it in front of me.
I don't have it in front of me.
I don't have it in front of me.
I don't have it in front of me.
But that's what we have.
When was that adopted?
That is a good question.
I'm not quite sure.
You guys aware of this?
Nope.
Interesting.
I thought I was such an expert.
Okay.
If there's no other questions for staff, I see we have the
applicant in the room.
Would the applicant like to come up?
Oh, sorry about that.
I didn't see you there.
CG, is it typical?
Okay.
Traveling eastbound, you see the reverse of 73.
Is that typical?
I don't recall seeing signage like that.
You know, you get a reverse view going eastbound.
It's on that short, you know, where the color palette is.
Yeah.
So when you're going eastbound, you see the reverse.
I would, I have seen signs designed in this nature with the
channel letters and then having it open.
So then when you're driving eastbound, then you do see it
in reverse.
Okay.
But it's, yeah.
I don't think that would create any confusion.
All right.
That's, yeah, that's my question.
That's kind of a sculptural element.
I have a question actually for staff.
When we're working on our own projects and there's the need
for a fire department to be able to readily read a street
number in the evening.
So from what I heard from the report, the numbers of 73 and
the individual tenant numbers have no interior or backlit
lighting at all in the monument sign.
But one would assume then that there would have to be some
kind of landscape light pointing up at that at night.
I would leave that for the applicant to.
For fire there, their biggest item they look for is on the
building itself.
They don't, there is a monument sign that they care about
for it to look at and some requirements there, but it doesn
't need to be eliminated.
The applicant can speak of how it is eliminated, but it's
the, they need to make sure that they can see on the
building itself.
But I don't believe it has to be, I don't know a hundred
percent for industrial.
I know what you're saying.
Cause we are required to put numbers on the building and
even page, one, two, three, four, five, page six of the big
packet identifies the large numbers, but those aren't
illuminated.
So my question is, is there some kind of just wouldn't the
city want to see some kind of lighting on the greater sign?
So it's not just dark at night.
Not, not, not that it has to be illuminated through the
signage itself, but like a landscape light.
For the monument sign.
I mean, it's not, it's not a requirement, um, you know, for
, for safety per for safety purposes that, you know, that's
for building and fire.
But my understanding is that they didn't require it to be
illuminated in that way.
Um, I, I'm, I'm not sure exactly if they require some sort
of landscape elimination, but, um, we've seen them come in
with just, with no elimination on them.
And they're able to see it, figure it out, I guess.
And, and I guess the next question is given that the
applicant submitted this package, clearly identifying that
it's not intended to have any light on or within, um, the,
the city has no desire to see any kind of light shining on
this very expensive sign.
Or should it be interpreted that at a later date if the
developer or the owner of the complex were to install an up
light that there'd be no issue with that?
There is no condition that they could not light it.
Uh, that could be conditioned if that's something that you
guys are looking for to say that this isn't to remain as
non illuminated.
Um, if they are to illuminated in the future, we would just
look at what's being proposed and make sure that it's
consistent with our lighting section of the code.
And so if that's the case, then they can go ahead and, and
put some landscape lighting against it.
Um, but we would review that if the, the change came
forward.
Um, as far as preference, I don't know that our code gives
a preference.
It's, um, or staff send.
Obviously, yeah, it, it helps identify the center and makes
it a little bit easier to find.
And I think that's the purpose of what, why they're
bringing this forward.
And it will add, I mean, for industrial, sometimes it's a
little, it's also a little different, but it, a lot of that
's for your consideration as well.
Right.
And in terms of why we bring these forward to ARC is, um,
if those are, you know, things you think are appropriate
for it, but admittedly in the industrial areas, um, in
terms of the amount of what you would call public traffic
to, to and from is a little different in terms of how we
want it lit.
Um, and yeah, the, the lighting for the, for, for building,
it's not required.
It has to be lit, but there are, it has to be legible for
them.
And there's different ways that they can work with the
applicant fire and building to make sure that they can see
all the, all the lighting, all the, um, um, addresses.
That answer your question?
Good.
Okay, then let's, uh, let's hear from the applicant.
Since he's in the room.
Can you come up to the desk there where that microphone is
and identify yourself and.
Uh, good afternoon.
My name is Jim cross.
I'm with, uh, the public.
Uh, good afternoon.
Uh, good afternoon.
My name is Jim cross.
I'm with, uh, best signs incorporate at Palm Springs.
Um, it's.
Thank you for having us.
Uh, good afternoon.
My name is Jim cross.
I'm with, uh, best signs incorporate at Palm Springs.
Um, it's.
Uh, thank you for having us and hearing us out.
I would like to just basically just kind of.
Uh, I would like to just.
Uh, lay out for you guys how this all came to be.
Um, and I would like to just.
Uh, I would like to just.
Uh, I would like to just basically just kind of lay out for
you guys how this all came to be.
Uh, is I got a phone call that said, uh, we need a, uh, a
Monument sign.
And, uh, you know, so we designed this, uh, this Monument
sign.
It was submitted to the city and the city says, well, we
need a sign program.
Uh, which makes perfect sense.
Of course, in fact, I was surprised that this complex did
not already have a sign program.
So, um, the sign program, uh, it was, and that's why it's
kind of used to have two separate documents within the Mon
ument Sign.
And the sign program itself.
Um, let me just, uh, check off a couple of the, you know,
questions.
And that was, it has to do with the lighting.
There's probably one best reason why the sign is not
illuminated.
It's because there's no power out there.
Um, essentially, is it possible to bring power to it?
Yeah, you dig up the parking lot and all that stuff.
But the thing is, is that, um, the people that, that, uh,
and this is another reason why there was a question mark is
, well, why are there illuminated and also non illuminated
individual letters proposed for this building?
Because most, if not all of the tenants in the back are, uh
, you know, 6:00 AM to 5:00 PM.
They're, um, you know, auto body, they're, uh, roofing,
plumbing, uh, cabinet shops, that sort of thing of which
people would not be going to typically during, during,
during the, the day.
They have no desire to invest into, uh, uh, you know, uh,
lit signage.
Whereas the, the elevations that you saw that were facing
the street, of course, they would like to have lit signs.
So that's why we have both.
Um, the, uh, we would also would like to be able to have
the option if currently there is no, you know, dance studio
or martial arts or something like that, that could conceiv
ably be open in the back.
We would like to leave that option open for, uh, one of the
, if someone in the future was to take a space or buy one of
those buildings that they would be able to have an, uh, an
lit sign.
Um, the design of this is, is that it's, uh, it's, um, it's
not realistic within 50 square feet to itemize nine tenant
names to put the, uh, the body shop, the roofers, everybody
's name on there.
It's just, it isn't going to work whatsoever.
So what we came up with was essentially kind of a, a, you
know, waypoint.
Um, that when that first phone call came, it wasn't like,
Hey, we have extra money.
We'd like to spend.
We'd like to give it to you guys.
It was people are saying they can't find us.
That's the issues that those nine buildings in the back,
people have no idea where they're at.
And there's currently no monument sign.
And so there's, you know, people are just essentially they
couldn't find them.
So at this point, our objective is to keep it simple, keep
the names off of the tenant.
Uh, keep the names off of the, off of the monument signs of
having some of those tenant panels.
If you, if we were to look at the page and maybe you have
it print out in front of you, you have it right there.
Uh, you can see that those, you know, even the ones that
have, you know, five panels, they're just worthless.
Uh, from a, uh, from a, you know, traffic visibility
standpoint.
So essentially those nine tenants in the back, they
basically say, look for the sign that says 73.
Boom, we're done.
Um, instead of putting names on there, we put the
individuals, the individual addresses so that, you know, if
I am looking for, you know, make a roofing and it's, I know
the address is, you know, 73, 470, whatever it might be.
I can see that on the sign, but essentially you just need
me to turn in.
And, uh, and the, and like I say, it's not impossible to
have that sign lit, but the nobody on the front, uh, of the
, uh, you know, of that elevation facing the street cares
that this sign is in place or not.
They already have visibility.
It's the nine tenants that are in the back that are hidden.
Uh, and, and that's, that's the driver of this sign.
Have any more questions?
I'm right here.
I think the design is brilliant.
I mean, it really stands out on the street and does what a
sign is supposed to do.
And it's, you know, simple.
Um, I don't know if it was just me, but at first glance, I
thought it was a gas station.
It just, they had that feel with like the advertised fuel
prices on it.
You know, I don't know why that, I was like, where's the
gas station.
But the more I look at it, I really like it.
What I'd like to do is look at your sheet two of your
monument.
And the details, because I think it's really important the
way you're showing it in perspective that the three is
thicker than the seven, right?
No, it's not.
It's not.
That's just, that's just shading to give the impression
that it is thicker.
Yeah.
Yeah.
Hmm.
That's just trickery.
I didn't, I mean, I, what I had done is the, is the three
and the seven are on the same plane, but I wanted it to
have the appearance that it was standing off.
So I, the, the, the idea was to do that with shading.
Really?
Mm-hmm.
Isn't that interesting?
I mean, it's effective in the graphic for sure.
Right?
I mean, it looks like a, I think it'll translate shadow.
I kind of like it actually not being planner as, as
rendered with a little shadow reveal.
It looks like it's kind of set in front or behind one
another.
It, except when I'm looking at, at the, the large image in
the center of the page, I think, I think that is rendered
that it's not in the same plane.
Right.
Is that what you said?
Yeah.
Yeah.
I, I, now it looks like there's a number that's overlapping
another, which looks pretty cool.
So I, I'm agreeing with you.
Okay.
Yeah.
I think, yeah.
Um, I, I, I think, um, what was it, Jim?
Yeah.
Yeah.
John's dad.
Correct.
Yeah.
All right.
Um, we're, you're rendering actually does not have it in
the same plane.
I can tell by looking at the top.
Well, he, he said he did that just for, or the, or the, or,
to give us what, what, what was your reasoning behind it
again, Jim?
Well, it's, it's, it is on the same plane.
I did that in, in, in SketchUp, and then I added that
shading there, and there I'll draw it to make it look like
it was dimensional.
But I can, I can see what you're saying that it, it's on
the same plane on the, on the front.
Okay.
But, but, but I can, I can see the top of the three.
Yes.
And it's not in the same plane as the face of the seven.
No, it's, uh, well, it, it is dimensional on the top, but
on the face, it's on the same plane, like the seven and the
three, because I didn't, I wanted to differentiate.
Those are two different colors of orange, but I wanted to
differentiate, but I wanted to separate those two colors,
uh, other than just applying, you know, a lighter color on
top of the dark.
And that's why I added the shadow to it.
So you call artistic trickery.
I think you said, Mr. McIntagy, I think you said it was
genius or something.
I don't know.
Something like that.
Well, I wouldn't refer to that.
I thought the, the overall concept was brilliant, was my
word.
Oh, brilliant.
Brilliant.
Thank you.
Thank you very much.
Um, but, and the reason is, and that's why I don't mind
seeing the 73 backwards coming from the West.
I think that that's, yeah, I, I, you know, so if it's more
than just, if it's just more than two numbers, you're
probably asking for too much, but with just the two numbers
, the simple fact is, I think it'll still be, I still be
identifiable.
And if you were to look at any other monument sign as a
cross reader on that street, like I said, they're all
worthless.
Right.
Completely.
You know, that's why I use the word brilliant.
Thank you.
Thank you.
Yeah.
So, but now, why are they not?
Why, why can't you make them in different planes?
Cause I think it would just complete the, the, the
composition of your sculpture here.
Is it a constructability issue?
No, no, no, of course not.
Uh, as a, uh, I know you've got a lot of things.
I know you guys do great work.
Yeah.
Uh, as a sign designer, it's also, I'm, I'm also supposed
to be part architect, part architect, part designer, and
also part estimator.
And this guy holds the purse strings.
And so we can, we can, we can, yeah, we can do whatever we
want to this thing.
It'll just cost a little bit more.
Okay.
Can he identify himself for the record, please?
No, he doesn't have a microphone.
Yeah.
Hello.
My name is Sam Spinello from Spinello Park Management.
I'm the representative of the industrial park known as a D
inosaur Business Park.
Great.
Thank you very much.
Is this, is this what they were referring to?
Yeah.
Yeah.
So, um, so they're not on the same plane.
You did that to show.
They're on the same plane.
I was going to paint a shadow to make it look like it was
there.
Like it's dimensional.
They would say, Hey, look, if I might step in, they like it
, they like it.
So there is relief between the two.
They would like for that three to be able to have more,
more depth.
Yes.
The drawings as shown in plan and elevation are to what Jim
is actually proposing to build.
But we're all commenting that we like the perspectives
where he added a little shadow reveal.
shadow reveals Jewish gives a depth.
So my question for Jim is, could you accomplish that shadow
reveal by adding maybe like a two
inch standoff on each side of the orange panel and allow
them to overlap each other?
We can do anything.
Absolutely.
I mean, yep.
Uh, like I said, it was, um, you know, and I'm not, I'm not
joking when I say that, you
know, like a good sign designer solves the problem within
budget.
And so that's basically, it would just cost a little bit
more budget aside.
Would that collect dirt and dust and create, um, no more
than the rest of the sign.
Sorry.
That's not going to work.
Sam.
Um, what's Jewish cost?
I don't know.
You know, just tell everybody we got our brew.
We just have to spend a little bit more money.
How much more?
Uh, $1,200.
Sold.
Okay.
All right.
That's the way we like to get things done.
So good.
I, I, I, I have a, I have a, I have a, I have a follow up
question then just to make sure.
The seven is proud of the, of the gray element, right?
It's, it's wider than the gray element.
Yes.
Okay.
Yeah.
So then it looks like each letter is two inches thick based
on the math here.
So if we're talking about having the three proud of the
seven, then we're looking at one foot eight total dimension
for the thickness of the signage.
You know, that, uh, maybe no, you just, you just brought it
.
That's that's done an error that that side views incorrect.
It should be solid at the top.
It's not what's showing those two inches is that, uh, what,
what I'm saying is that, that, that should be solid at the
top.
That should, that it's, it's not only two inches.
It would be the entire as, as this, as this, this
perspective view shows it being solid at the top.
That's the way it's going to be.
This is not going to be those seven, the seven and three is
going to look like this.
So the face of it basically it's, there's, it's not just
two plates.
It's currently boxed in.
Yes.
I, you just brought to my attention that the side view on
those is incorrect.
And the plan view and the end views would actually show
solid color.
Yes, exactly.
Okay.
Yeah.
It seems like the red, uh, the red seven is a foot four
inches, right?
Oh, that's probably going to be more than that.
Um, that's going to be, um, not even worth the, uh,
reading glasses.
Can I see these numbers?
What does it say at the top?
The one foot four, one foot four.
Yeah.
So, um, you know, that'll be 16 inches then.
Yeah.
And then the three would be one foot eight.
Uh, no one.
Yeah.
One foot eight.
Yeah.
Yeah.
I mean the two inch.
Yeah.
Yes.
Okay.
Yeah.
I don't, I hate to go two inches though.
Can I go one inch and it has nothing to do with cost.
I'm just, I don't want that three to get too much deeper
than the seven.
No, no, I only, I only, I just quote you for one inch
anyway.
I, I, I don't, I wouldn't want that three.
I wouldn't want that three to get, I, I, instead of us
creating a, a faux shadow, we're going
to create, uh, you know, a natural shadow.
We can achieve that with only one inch, uh, standing proud
on that three.
Um, so we're, we're appreciating the shadow right now.
Um, and this goes back to the previous questions that I was
having about light.
Um, this is a really cool sign.
We don't really see these out here.
They're more of like a big city design.
Um, it, it seems like you're selling your sign short, but
not having any kind of lighting,
not inside, but even low voltage landscape lighting can be
done without major trenching.
Uh, I couldn't do it myself.
Um, and to have some kind of light highlighting the seven
and three, where you can actually see
the shadow reveal even for a split second at night, just
makes the sign look cooler at all
hours of the day.
What are you talking like a little solar application?
Is there any existing landscape lighting around the
development?
There isn't.
Um, could we, uh, it would be our preference to ultimately
light it.
We didn't have power, so we didn't pursue it.
Um, to pursue power at this time.
That wouldn't be in our budget for, um, but, but to have
the rights to add lighting in the
future would be nice to have that.
Cause that would be something we would like to have.
Sure.
Yeah.
And again, I'm not, I'm not saying to hardwire this to the
electrical grid.
Um, like this could be a low voltage application, just like
a standard landscape light.
It could be done at any time, but it seems like by saying
that you will not be lighting it at all.
It's kind of selling, selling the sign short.
And, and we had, we had power out there.
We, we might've contemplated that.
Um, we didn't have power, so we didn't think about it.
Um, as time went on, um, it did get, as we made it nicer
and ultimately had to, to treat the entire complex.
It did get more expensive.
So I, I am, um, we are substantially over budget, uh, for
this project, but ultimately, uh, over time, that would be
something we would like to do because that would be a nice
aesthetic to light it.
Um, uh, uh, it would be something that we would want.
Um, we wouldn't, we wouldn't, um, cause I, we know where
our power source is and it's quite, quite a ways away.
Um, and it would be pretty invasive to, to get that.
I'd have to, uh, we just redid our parking lot.
So I'd have to tear out my parking lot.
So it's not something we really want to do this time, but
it's something that ultimately we can appreciate.
We would like to have the right to do if, if we could get
that approval.
Um, it'd be, it'd be something realistically through three
or four years down the road in, in a future budget.
Right.
Just for a simple up light.
Yeah.
It's just, it, it's, you know, bring, bringing the one wire
is the same cost as bringing 10 wires.
It's, it's, it's where, um, the closest power source is, it
's a, oh gosh, it's a 150 yards away.
The one we could use.
It's, uh, on the other side of a building around the corner
.
But, um, you know, aesthetically though, it's, it's not
going to look bad without the light.
You're just not going to see it when it gets dark.
That's all.
We, we would like to see it.
Yeah.
Ultimately.
Um, that, it would be a desire.
It, it would be something we would want.
Yeah.
And ultimately we think that as we do a future things, um,
that's something that we could put into future budgets.
Um, not in the immediate future, but, uh, in the next three
to four years.
Um, uh, uh, is it something, it's something we would, we'd
like, we see the benefit in it.
Yeah.
You know, I'm, I'm thinking about what, um, what Jim said
about the, the dimensions.
And I kind of tend to agree if, if each one is standing two
inches from the, like if the three is set two inches proud
of the seven and seven is two inches proud of the, of the,
of the base.
Which seems a little heavy for something this size.
Um, I think it would maybe look better if it was just one
inch offsets between them.
So, so the three would be two inches proud of the gray base
.
One inch on each side.
Yeah.
Yeah.
I don't know.
I'm just throwing that out.
I don't know what the rest of you guys think, but.
Well, I agree.
I might look a little heavy otherwise.
Yeah.
And the, the sign designer who I put my faith in had that
concern as well.
Right, Jim?
Yeah.
Yeah.
The designer did accomplish what we think he accomplished,
what we told him to do.
We wanted something cool.
Yeah.
And that's a divine term.
Oh, you nailed it.
It was something that we thought was architectural and
notable, um, respectful, but something that
was, was, people would, it was of interest.
Yeah.
And so we, every, uh, everyone on my side, which is 14
people, they all like it.
That never happens.
Yeah.
It ties in with the red curb in the yellow fire hydrant.
I mean, look at all that.
Jim thought it all out.
Okay, good.
Um, you know, I want to mention, I also, I liked your
description cause I, about this, the
way this signage is likely going to work because there,
there are all these options for tenant
signage.
Um, and I was looking at the site plan and I saw the blue
buildings and then I saw the,
the tan buildings.
And I thought, yeah, those, those tan buildings in the back
, I don't see them investing in an
expensive lit sign.
Um, and, and there, I was trying to imagine, and I guess I
have a question.
Is anybody going to come here to the blue buildings to shop
?
Because, you know, normally where we land is on, on, on
retail buildings.
We like to see a lot of individuality in, in the tenants
and, and in the signage.
And if it's an office park, we like to see it be a little
more cohesive and consistent
with the signage.
And I'm not sure where an industrial use lands, but I think
that front building definitely
looks like a retail building.
And, and I think for it to read like a retail building
would be just fine.
Mm-hmm.
With some variation, you mean?
Yeah.
Yeah.
Yeah.
Um, so I, I, I like that.
Um, the, the fact that they can have some interesting lit
signs.
Um, and, but then I'm wondering, you know, and, and that's,
that's my position, but is,
is, is, is anyone going to come shop here?
Or is this more of like drive by and oh, that looks nice.
It's, I think it's the, the type of tenants, they're
basically going to be daytime.
I think you have like carpet and flooring on one of the
tenants.
Um, you know, so I, uh, I, my gym is not in your, in your
tenancy.
Right.
But something like that could be where, you know, my, my
gym is a, you know, gymnastics
place for, for kids.
And I call that retail.
Okay.
Yeah.
And, and to add our industrial, it is obviously focused a
lot more on industrial and what you
would expect there.
do have some components of, um, whether it's gyms, there's
also in, um, very minimal,
but allowance even for restaurants.
So there is a bit of, but it obviously much less than.
I would say from a real estate standpoint, like a usability
standpoint of a desirability
of people that would want us, I would say that that would
have more of a hint of retail
desirability than as, as I get further in the back.
Yeah.
Um, I, I, I, I, like it's where an industrial meets retail.
Yeah.
Um, yeah, like, like, like, like, like the, like the flo
oring would be flooring, flooring
is, you could, you could say flooring is retail and say, it
's not like going to the grocery
store, but it's, it's, you're, you're going in to buy tile
or carpet with retail prices.
It's not, it's not a wholesale house.
Okay.
Yeah.
Very good.
Engaging the public.
Right.
Very good.
Do you have any cannabis going on in there?
No, I, I haven't done that in a long time.
Okay.
Cause I know there, there was some bad, a really long time.
What do you mean by that?
I mean, like done their signage or?
Well, yeah, well you wonder, you know, just keep tabs on
what's going on.
There's currently, I mean, you're, you're the, you're the
management.
There's driving around.
I didn't see any cannabis there.
Uh, well, we, we, we will.
It's legal now.
It's not a problem.
We were, we've, we were the ones that fell victim to that
explosion.
Right.
All right.
Um, I was in Palm desert at 10 30 at night and got a phone
call when it, that it had just
blown.
Um, that's where that building is.
The one that really went boom.
Yeah.
Boom.
Um, so, um, uh, we, um, it wasn't our building, but, uh,
that we don't, um, it was right there
in that block.
We were against that type of use going forward.
Um, with chemicals and the volatility of it all.
Yeah.
It was kind of a flash.
I think it's simmered down.
Yeah.
Okay.
Good.
Well, uh, back to the sign.
Um, any other questions for the applicant?
Okay.
No matter.
Then we'll close the public hearing portion and hear any
comments from commissioners and see
if we can, um, create a motion.
Commissioner Blakely.
No, no.
Um, Gregory.
Well, you got two first names for God's sake.
I know I'm like seeing double vision.
Um, um, I'm like seeing double vision.
Um, I'm like seeing double vision.
Um, I'm like seeing double vision.
Um, I'm like seeing double vision.
I feel like there, um, I, I would have thought this was
kind of ready to push forward wanting
to see, you know, or make that condition of the numbers not
being co planer.
But, um, uh, I don't know.
And the understanding that the, the plan view and the end
views actually weren't drawn correctly
and that maybe the dimensions were off.
Um, I'm not sure how the group want to proceed with that.
That's, that's all I wanted to say.
Okay.
Commissioner Lackovic.
Uh, no questions.
No.
Commissioner Sanchez.
Uh, my comment would be on, uh, the lettering, um, that I
would move forward with, uh, red seven
being a foot four inches as stated.
And then the three being one foot six inches, which gives
it one inch kind of lever on both
ends.
I think, I think the intent was, uh, to make the red one
foot two inches and the orange
one foot four inches.
So in each case you have an inch offset.
Is that, did I interpret that right?
Well, here's my position.
I don't think we should specifically design best signs deal
.
I think we just recognize that the artistic trickery
presented is very successful and that we need some break,
whether it's one inch or two inch.
I'd be happy with either one.
Would you agree?
Yeah.
And that can be placed as a condition for staff to.
Correct.
Correct.
Keep it simple so they can move forward.
So we don't continue and look at it again and, uh, allow
this committee to approve it.
Yeah.
Although I personally, I think two and two would be too
much.
Two and B.
Yeah, I agree.
It gets a little bulky and I think, I think, uh, the
applicant agrees.
Yeah.
Um, um, I, I, uh, I, I don't know.
We, I think, I think we're ready to approve this with just
some, some language with the approval.
Good.
Can you compose that?
Sure.
Commissioner Voods?
Uh, I'd, I'd like to make a motion to approve, um, with the
conditions that the, um, that the seven and the three are
actually, um, proud of the gray base that they're on.
Um, presumably the, the seven would be, um, one inch proud
of the gray base and then the three would be an inch proud
of the seven, um, on both sides.
Um, um, left to the discretion of the applicant if he wants
to go any more than that.
Uh, and that these letters are, are solid, uh, on all sides
.
Okay.
What about the balance of the sign program?
Do you want to put any?
I, I think it looks great.
Yeah.
I'm, I think this is all really, really nice.
Okay.
So that's the motion.
Do we have a second?
Second.
Oh, just a clarification of the motion.
Um, the drawings don't reflect, the existing drawings don't
reflect what you're talking about.
Should we request that they, drawings match the motion?
If you look at page, what is it?
Two.
We will do that anyway.
Oh, I just want to make sure we put it in the motion though
.
Okay.
Yeah.
But, but we're not calling it back here.
No, no.
Yeah.
We just put it in the motion.
So that, to be reviewed by staff.
Okay.
Yeah.
Yeah.
I second.
Good.
Thank you.
I second the motion.
Okay.
Moved and seconded.
Could we have a roll call?
Commissioner Vucic.
Aye.
Commissioner Gregory.
Aye.
Commissioner Latkovich.
Aye.
Commissioner Latkovich.
Aye.
Commissioner Latkovich.
Aye.
Commissioner Sanchez.
Aye.
Vice Chair Blakely.
Aye.
Chair McIntosh.
Aye.
Motion carries.
Six zero.
Great.
Thank you very much.
Thank you for your time.
You all very thorough.
That's what we did.
Thank you for your time.
You're all very thorough.
Yeah.
That's what we do.
Well, you guys made it easy.
You were right there.
Negotiating it.
Yeah.
There you go.
Yeah.
Yeah.
You're all very thorough.
Thank you for your time.
It's good working with staff.
Thank you very much.
Thank you.
Thank you.
Thank you.
Thank you.
Thank you.
Thank you.
Thank you.
Thank you.
That completes our agenda for projects.
Going on to item six, informational reports.
Cultural Arts Committee.
We have nothing at the moment.
We need in two weeks, I think.
Okay, great.
No other committees?
No.
City staff?
So I'll start with ARC subcommittee.
We do have, we're making a request to get to commissioners.
We need a subcommittee for desert surf.
So they are coming forward with their residential project
or product, the homes around the basin.
And so we need two commissioners to go over their final
design.
We're still working on it.
Don't have a time at all, unfortunately.
But we make it work around whoever volunteers for it.
We make it work around your schedule to go through what
they're, what they're presenting for their floor plans.
So we need two commissioners volunteering.
We just want to have it on hand so that we can set that up.
Well, I haven't volunteered in a while, so I'll do it.
All right.
So we have one.
Do we have a second person?
I'll take it.
All right.
So my --
So are the designs similar to what we previously reviewed?
We -- we did.
They've gone through -- they've -- what I'll say is they've
proposed a few changes and we're trying to get them more
towards the original approval.
So not significant enough to come back here.
So we're trying to -- we're trying to -- the ARC sub
committee will be used if it's not a significant change.
If it is a significant change and it comes in front of all
of you.
Okay.
That's what I'll say.
And -- but we want to have -- we've given them both options
.
You have two paths.
You can -- you can redesign and come here or you can make
it close to original and go through subcommittee to come --
so that you all get eyes on it and confirm that that's --
that it is similar to original.
With some tweaks if -- as need be.
But yeah.
We'll -- we'll set it up if it's needed or as it's needed.
But don't have a date yet.
Okay.
Great.
Good.
And then next item on city staff.
So a couple things I wanted to point out.
Last Thursday, myself and Rosie, our director, we took for
the presentation to city council if you're all interested
with going through all of the projects going on within our
department.
So we went through -- and that's not just in planning but
everything from, you know, implementation of fire into our
system, in-house business license program, stuff going on
with our downtown, housing, homelessness.
So really all the different projects we're working on.
And just wanted to highlight that if any of you are
interested.
So we are -- and, you know, more of note to this commission
, we are still working on our unified development code,
which is our big overhaul.
Most of you, probably almost a year ago now, met with our
consultant to go through our municipal code.
We're going through a complete overhaul of that.
We just finished our hillside objective design standards.
And we are actually going through a views analysis in our
city.
So we've hired the same team that did our objective design
standards, John Kalisky Architects.
We kept on hearing, whether it's through this commission or
planning commission or city council or the public, about
views, right?
And you all have heard it probably a million times of, you
know, protection of views and the views that are important
to us.
So we want -- so we embark -- we're embarking on what we're
calling a views analysis, which is looking at what views
are important, what tools do we have in place to protect
views from the public.
So we're going through that right now.
And at the end of it would be a set of recommendations,
whether it's municipal code recommendations or document or
something like that to establish it -- to establish how we
can and what views we want to protect.
So we have that.
So we have that.
So we also had, I believe, at the last ARC meeting, there
was a request or comment on enforcement procedures for
landscape maintenance, as well as improvements along San
Pablo landscaping.
So we do have an update on that.
Generally speaking, for landscape maintenance violations,
when -- however it comes, it goes to our code compliance
team.
So there's a few tools for that.
Rock Solid is an app I always plug, and you're able to do
it from our website.
If not, you know, reaching out via email or phone call to
our code team.
Once we receive a complaint, a code officer inspects a
property, opens a case, the violations are confirmed.
First step is typically a notice of violation with about
three to 10 days allowed for correction depending on
severity.
If unresolved, they go through order to abate, a public nu
isance, providing them an additional 10 days.
And if they continue to not be compliant, then they go
through administrative citations.
With landscaping maintenance, there's two big parts that
take a lot of staff review or confirmation.
The first one is who's responsible for it, especially along
medians or perimeters.
We need to confirm that it is -- who's responsible for
maintaining that area.
There's some areas where, you know, when the development
came in, the city agreed to maintain it.
Certain areas where an HOA was established to maintain it.
Most of the time, they just send it to the owner and take
it from there.
And then the other part is whether or not we have a final
approved landscape plan for that area,
especially some of our older ones.
It wasn't as formal of getting what we have now of here's a
landscape plan and here's the plant palette and everything
that you're supposed to be doing.
So sometimes when we go through the enforcement, they say,
okay, well, what can I install if I want to change it?
And we're doing some digging to find what they have
approved or what they have to change.
So that's generally our landscape maintenance enforcement
process.
For San Pablo, so there's a project going on right now in
San Pablo from Highway 111 to Magnificent Falls.
So these contracted a landscape team.
It's working on efficiency, water conservation, improved
aesthetics.
So they are removing excessive and inefficient irrigation
emitters.
They're replacing them.
They're eliminating irrigation and bare ground areas to
reduce water waste and weed growth.
They're doing installation of new plant materials, so more
site appropriate plant materials.
And they are adding some ground cover to reduce erosion and
improve the appearance and doing some soil grading and inf
ill to stabilize landscape areas.
It first started in some of the lower traffic areas, but
they made a lot of progress, but it's still not done yet.
So the new plantings are in the early stages and will take
one to two growing seasons to fully establish.
And they are working, you know, within the budget of this
fiscal year as well as possible the next fiscal year to get
that.
That's all I got.
A question on San Pablo.
We've promoted some lights out in the trees and others.
So, yes, so for lighting also, give me a second.
I believe, give me a second.
So for lighting.
Yeah, they're also in the process of replacing the lighting
ballers on the corridor as well.
But that might be a little longer of a time period.
And not immediately.
So, I have a question that we brought up.
When you did San Paolo.
Microphone, microphone.
So when you did San Paolo and you had this beautiful
landscaping concept, and now you're changing the landsca
ping concept, what happened with the original versus the new
one coming up?
Why did you, why wasn't the first one, what worked?
Yeah, okay, so you're looking for the why it changed.
And I mean, I know part of, it seems like part of it was
based off of, there's an excessive amount of maybe
irrigation installed in some of these areas.
I don't, yeah.
Okay, that was the question.
Basically, how come it wasn't done right the first time?
Yeah, okay.
Well, how many years has it been?
It hasn't been that long.
San Paolo has probably been about seven years, seven, eight
years.
Yeah.
Maybe.
From the original design, I don't know, probably longer
than that.
Hmm.
Interesting.
Yeah.
Well, thank you for responding to that.
And I guess I was the one who brought that up at the last
meeting about sort of enforcement.
And I don't have a particular axe to grind with any
specific property.
I brought up an example of the Arco gas station, mainly
because it's prominent intersection.
And it seems like it's in terrible repair.
And that's been there a long time.
So I don't know if you were able to open up the planning
file on that and go back 30 years or when it was originally
approved.
And if there was some sort of conditions of approval for
the landscape, all I know is I can speak for the other gas
station at Deep Canyon, which I did design 25 years ago.
And that one, I remember having to do a ton of landscape
and trees and I drive by that and that is definitely all
gone.
So I'm just wondering that one you should have a file on
and be able to enforce that one because I was really aware
of what was required.
Yeah.
And we can we can look at those.
The thing about the removals is that the big thing that
changed, which you're all aware about, right, is the
drought tolerant landscaping and people's allowance to
remove a lot of the landscaping.
I don't know the particulars of that one.
And in terms of what we can enforce to make them bring
bring back.
Right. But there's a tree requirement, right?
I mean, it's not okay just to let all your trees dry.
Right. Yeah.
And there. Yeah, there is there is certain requirements on
or not just requirements, sorry, or being able to look at
the original approvals on the plant ballot.
So we can see some of that, especially in parking lots.
We have a lot more teeth when it comes to that.
Right.
But generally, that's what we're trying to do.
Yeah, it just seems like this commission spends a lot of
time, a lot of tedious time looking at things like that.
And then it just kind of goes away.
So that was the reason I brought it up.
Any other comments?
Nope.
Yes.
Oh, go ahead.
You have before you a printout of the recently adopted code
of conduct that is for elected and appointed officials.
So it does apply to this commission.
At a high level, it just focuses on four things,
professional conduct, meeting behavior, communications, and
public interactions.
Overall, it's just intended to keep transparency,
consistency, and help with maintaining the public trust.
So if you have any questions, the clerk's office is always
at your disposal.
You're welcome to reach out to me or any of the other team
members.
And that's it.
Great.
Got to have those guidelines stay in line.
Assuming that all falls under the Brown Act.
It encourages you to observe the Brown Act in every way
possible.
Whenever we can.
Okay.
With all of that, I would like to propose the meeting is
adjourned at 2:02 PM.
Well done.