The Brentwood Arts Commission will receive a Brown Act presentation from the City Attorney's Office. They will review and discuss potential revisions to the current Public Art Guidelines. The Commission will also discuss the updated 2026-27 Art Priority List and provide direction on the next project after the completion of 'Radiant Convergence'.
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Transcrito automáticamente del video oficial de la reunión (voz a texto — puede contener errores).
Thank you.
Thank you.
Thank you.
Thank you.
Thank you.
Thank you.
Thank you.
Thank you.
Thank you.
Thank you.
Okay.
I am calling this meeting for the Arts Commission to order
on April 15th, 2026 at 7:06 PM.
Okay.
Let's start off with a roll call.
- Okay.
- Commissioner Cook?
- Present.
- Commissioner Gascoigne?
- Here.
- Chair Cook?
- Here.
- And for the record, Commissioner Wallace
and Vice Chair Thomas is currently not present.
- And let's stand for the Pledge of Allegiance.
- I pledge allegiance to the flag
of the United States of America
and to the Republic for which it stands,
one nation under God, indivisible,
with liberty and justice for all.
- Regarding public comments in person,
pursuant counsel, administrative policy, meeting rules and
procedures,
section 5.2, decorum generally public, comments by members
of the public
are generally limited to five minutes or less time if a
large number of speakers
is anticipated.
- Speakers desiring answers to questions should direct them
to the Arts Commission
and if relevant, they may direct them to the appropriate
staff members.
Speakers can also follow up directly with the staff during
regular city business hours.
Please file a speaker's card with the minutes clerk on the
forum provided on the podium.
Persons are required to limit their remarks to five minutes
unless an extension of time is granted by the chairperson
subject to approval of the Arts Commission.
During this portion of the meeting, those present in the
Council chambers are permitted to speak on items that are
listed under presentations,
informational reports from commission members, committee li
aisons and staff,
on the consent calendar, requests for future agenda items,
new items or items not on the agenda.
Public comments for scheduled agenda items should wait
until that time.
Zoom participation during this general public comment
period will not be accepted.
Moving on to presentations.
- Thank you, chair. Unfortunately, tonight we had a last
minute change.
We do not have our city attorney's office available for the
Brown Act presentation.
So we're gonna request that the commission table that item
until we actually have representation for a future meeting.
- Okay, great.
Can we move on to informational reports from commission
members, committee's, liaisons and staff?
Yeah? Okay.
All right. Commissioner Cook, do you have anything to
report?
- I have nothing to report at this time.
- Commissioner Gascoigne?
- I...
- I did.
- Okay.
- Okay.
All right.
Okay.
Yeah, actually, last night, I attended the proclamation
recognition.
And we were presented the proclamation recognizing April 19
th through the 25th, 2026,
as the National Volunteer Week.
And it was very nice that some other members of other
commissions were present.
And the mayor gave a beautiful presentation and it was well
attended.
That's it.
- So, in correlation with art, I actually just got back
from Disneyland last weekend.
And I...
The park is filled with art from everything from what is on
the rides to the decorations throughout the park.
I had about 27 dancers perform in the parade.
So, I was surrounded by dance and art and fun and beauty
all weekend long.
So, that's all I have to report.
- Thank you.
Good evening.
First off, I would like to welcome our director of Parks
and Recreation, Harith Aleem, is with us tonight.
And then, in addition, coming up on Monday, in the last two
months, I worked with the Brentwood Union School District.
And we hung over 170 pieces of artwork from children, ages
kindergarten to eighth grade.
So, the elementary schools and the middle schools.
And the reception will be this coming Monday, the 20th.
And it will be from 5:30 to 7.
And the awards ceremony will be at 6:00 p.m.
And then, just a reminder that this Saturday is the
Community Day of Service.
We have a lot of projects going on around our city.
There will be a pancake breakfast in the morning at
Veterans Park to kick it off.
And then, from there, there's going to be a lot of beaut
ification projects going on around the city.
And that is all I have for now.
And then, I will be able to do that.
And then, I will be able to do that.
And then, I will be able to do that.
And then, I will be able to do that.
And then, I will be able to do that.
And then, I will be able to do that.
And then, I will be able to do that.
And then, I will be able to do that.
And then, I will be able to do that.
And then, I will be able to do that.
And then, I will be able to do that.
And then, I will be able to do that.
And then, I will be able to do that.
And then, I will be able to do that.
And then, I will be able to do that.
And then, I will be able to do that.
If discussion is required, that particular item will be
removed from the consent calendar and will be considered
separately.
Item F1, approval of the minutes of the regular meeting on
March.
And then, I will be able to approve the meeting minutes
from February.
We actually are not going to be able to approve any minutes
from February or March.
Okay.
Because we do not have enough commissioners that were here
at those meetings.
So, we will have to put that off.
Okay.
All right.
So, we are just going to move on to business items.
Okay.
Thank you, Chair.
I will take this one.
Just give me a second.
I need to pull up my presentation.
All right.
Thank you, Chair.
So, tonight's item G1 is to review and discuss the current
public art guidelines.
So, before we get started, some background information of
how we got here.
These are kind of highlights.
Of course, there were additional actions that were taken,
but just kind of bring the commission up to speed.
A little bit of history.
Back in 2000 was when the Arts Commission was officially
established in form.
And that was made official through the passing of the Bret
wood Municipal Code, Chapter 2.4 Arts Commission.
Following that, lots of discussion back and forth.
But in September 9th, 2003, excuse me, was when the actual
public art guidelines were actually adopted.
Since that time, there have been a number of revisions
through the public art guidelines through recommendations
from the Arts Commission's on to City Council official
approval.
So, fast forward to a couple years ago, September 20th,
2023.
This is a big one I wanted to highlight.
At the time, the Arts Commission's vice chair inquired
about some inquiries and clarification on the scope of the
Arts Commission's ability to fund art activities.
Specifically, at the time, there was some confusion.
And to be transparent, that was my first year as well with
this Arts Commission on how to use those art funds,
specifically funding programs outside of visual arts.
We'll talk a little bit about that a little bit later, but
I wanted to highlight that because I think that's really
what kind of started a lot of these good conversations for
the Arts Commission.
Fast forward, lots of commissions, the Arts Commission, and
then actually last year, March 25th, 2025, City Council
brought forward a future agenda item request for the Arts
Commission to look into this.
The official motion that was passed was they wanted to
direct staff to spend time and resources to review the
public art program guidelines, specifically item one to
make adjustments so funds can be used for public art
expenses, including but not limited to installation of art
pieces, dance, music, and performing arts.
And number two, make clerical corrections where deemed
appropriate.
So with that, a long history, but what it comes down to for
tonight is looking at starting the process and getting some
feedback with the Arts Commission on what direction we want
to take for potential updates to the guidelines itself.
So I wanted to kind of frame kind of what staff has
intended for this is as conversation evolves over the last
couple years, a couple things that was made clear is that
any changes that the commission recommends the council and
council potentially adopts would only impact new funds into
the public art program.
So that means is the existing funds that exist right now
would fall under the existing program guidelines.
If there are changes and whenever those changes do happen,
that would be applied to any new funds that come in.
So I believe Lindsay shared with the commission that there
's approximately $3 million in public art acquisition
currently.
And I want to say just short of a million dollars in public
art administration, those funds would be required to still
follow the current existing public art guidelines.
So if there are changes that are not going to be applied to
any new funds that come in from new developments, then if
changes are made, officially passed and approved, they
would then be applied to new funds that come in.
So I wanted to clarify that from the start for the
commission.
The other thing I wanted to highlight as well is the target
timeline for this project.
There's a lot of understanding.
This is going to take some time.
These public art guidelines have been in place since 2003.
There have been some minor revisions here and there, but
really diving deep into what the commission's record is.
And what the commission's recommending for the council to
look into to fund for the future.
It really shapes what those new funds look like.
So we're pro we're not going to finish this in one meeting
or two meetings, but I did want to give you all a target
goal that we do want to try to get back to city council
with some recommendations by this fall.
City council may potentially accept may deny or send it
back to the arts commission to review.
But again, wanted to give you all a timeline of what you're
going to be looking at for the future for this project.
The other thing I want to mention and I want to use these
terms in a change, but I want to clarify now as it exists.
There are public art guidelines that exist as a document
that's been approved by the arts commit.
Excuse me.
That's been recommended by the arts commission and approved
by city council.
So those guidelines are rooted in the Brentwood municipal
code that outlines the official ordinances and pretty much
the local laws that govern the use of these funds.
So there may be a possibility where we're updating some of
the guidelines and if they're not applicable to the
existing municipal code municipal code may not be need to
be changed.
The conversations that we're having about potentially redef
ining the actual use of these funds more likely than not
will require us to update the municipal code.
So I just want the commission to understand that's part of
the process as well, where there may be a there may be a
time where we have new approved program guidelines, but we
still need to make Brentwood municipal code changes to have
them take effect.
So I know that's that's a little bit too.
There are two different documents, Brentwood municipal code
public art guidelines, but they are related and connected
to one another.
And again, depending on the actions and recommendations we
move forward with, I didn't want the commission to be
surprised about the process we're looking at.
So with that, we did attach the existing public art
guidelines for the commission to look at tonight.
I'm going to highlight a couple really big topics that have
really come out in conversations last couple months.
With that tonight, I am recommending that the arts
commission discuss these items also discuss any other disc
repancies or items that may have been omitted in the
existing public art guidelines.
And that allows city staff to work with other departments
to research, come back, provide some red lines, provide
some edits for the commission to look at.
The other thing I want that I request that the commission
consider is we can do this on a month to month basis and
keep coming back with back and forth with city staff and
the arts commission, or the arts commission can decide to
create an ad hoc to work a little more closely with city
staff.
We're open to both.
I can do a little bit of pro conning if the arts commission
is interested in kind of each of those paths.
But I think either way, this is a project that I would
recommend the commission have on a monthly basis until you
feel comfortable about what kind of recommendations you
want to move forward with.
So with that, a couple of the items that I wanted to pull
out that have been in high discussion the last few years
with guidelines is clarifying the eligible art forms
available for use of public art funds.
And the reason why this is important is because in the
guidelines, as well as the municipal code, there are
different languages used on what funds are eligible.
The terms that I'm going to highlight is physical and
visual art forms.
So by definition, the program guidelines say that funds can
be used for physical and visual arts.
Later on in the guidelines, as well as the municipal codes,
excuse me, the municipal code, it defines public art to
include artwork that is visually and physically accessible
to the public, and may include performing musical, visual,
cultural, physical, permanent, or temporary works.
So because there's an inclusion there, it kind of broadens
that definition of visual arts to potentially include other
forms of art, such as performing arts.
So that's something that we really want the arts commission
to weigh in on and provide some guidance or some direction
for city or for staff to dive into a little further to
clean up those opposing definitions of what art forms are
eligible.
As we talk about those art forms, we also want the
commission to consider not just performing arts, but also
the literary arts, as well as other forms of art.
So that's the other piece that I want to highlight in this
item was the public art funds.
As mentioned, there are two main funds or two main buckets,
if you will, that the public art funds fall into.
And that's going to be public art acquisition funds and the
public art administration funds.
We want to make sure that we're defining that definition of
physical and visual arts for the acquisition funds.
That's going to be very important.
That also applies to the administration funds, because in
the definition of administration funds, there is an
additional line that talks about eligibility for
educational programs.
In researching this item, one of the questions that came up
from past commissions is how were we able to fund other
projects under the arts commission, such as literary arts,
where we funded publication of, in the shadow of Mont Di
ablo, which is a literary art.
We also talked about recently, the commission recommended
the funding of the art guild of the Delta, their banner up
program, which didn't completely fall under the acquisition
funds definition, because those were temporary pieces.
They get put up, they get taken down in a short period of
time span, but because it fell under the educational
program definition, that's how they were able to use funds
in the past.
So this is a piece that we want to make sure we clarify.
And again, it ties back into what is the art forms that we
really want staff to dive into, how we're defining what
visual, excuse me, what physical and visual art means.
And does that include a broader definition of other art
forms?
So I know that was a big one to unpack, but that is, I do
want to be as transparent as I can, that is one of the big
ones that not only has the commission discussed,
but again, was one of the directions that the city council
has asked the commission to look into,
and then updating these guidelines.
A couple other ones that have come up is clarifying perman
ence and temporary, and that's in the public art definition.
And I'm going to use banner up as well as our public art
walls in that, in that as an example as well.
Maybe better defining how permanent permanent means and
what the definition of temporary art means.
Because for example, banner up, banner up banners go up for
a couple months at a time.
We have our rotating public art walls, which are funded
through our administration funds.
We're providing some definitions.
There will help clarify future use for clarity and
transparency.
The other section that came into question was section 8A.2.
The section about artwork led by instructor.
As this commission knows, we've frequently funded and
supported and recommended PADA,
Public Art Design Academy and their projects.
By the definition that's listed out, that would potentially
fall under artwork led by an instructor for a class and
completed in as a requirement for coursework.
So that's something that we wanted to dive into and provide
clarity in the future.
So with that, I do understand that was a lot to unpack.
Again, the recommendation tonight is to have a discussion
to review these guidelines and as well as identify any
other areas for the commission, excuse me, for staff to
look into in the public art guidelines.
And also provide some direction on how the arts commission
wants to move forward on staff looking and researching this
item.
This concludes my staff report and I'm available for
questions.
So we can move on to some clarifying questions before
discussion.
Can we go back to the municipal code and how that can be
affected by any changes to the program guidelines?
Yes, chair.
So, so if I can give a quick example.
So within the guidelines as well as the municipal code,
there's a continual reference of visual arts.
Funds can be used for visual arts.
So if it's decided down the line that the arts commission
is going to recommend that that definition broadens to
visual arts, performing arts, literary arts, whatever that
may look like.
There, there may be a way where we update the guidelines,
but because it's rooted in the municipal code, we have to
update the municipal code as well.
What that essentially means is that there may be a city
council meeting where the new guidelines are adopted.
And then because the Brent women is coat is official ordin
ances.
We then have to do some public noticing and some public
meetings.
Also update the Brent women is spoke code and follow those
legal steps as well before all that goes into effect.
All that is saying we'll follow whatever procedure
depending on what it is, but I didn't want this commission
to be surprised that those are steps that we have to take
because those documents are tied together.
Is there a way to get, I guess, advanced feedback on how
various changes would potentially affect the municipal code
and what changes we might be able to make that would not
affect the municipal code?
Like if we knew in advance where that territory laid to
make the changes and we can steer clear of that, like where
is that, where is that line?
For your question, chair, I think the best answer I can
give you right now is I don't know.
But if I could expand on that a little bit more.
So I don't know right now.
Staff can definitely look into that and kind of give you a
more solid firmer answer.
My initial instincts and my thoughts right now is where
there is information that exists both in the guidelines and
the municipal codes, where those both have the same
alignment, then any changes to the guidelines will have to
be made in the municipal code as well.
So if there is a section within the guidelines that further
expands a broad topic of the municipal code that doesn't
require the change of the code, just a change of the
guidelines.
An example of that is going to be if we're clarifying a
simple item number in the guidelines.
We're just worrying or in the numbers, not changing the
content, but just changing the order and structure of what
's in the guidelines.
Because it's probably mentioned already in the municipal
code, there doesn't need to be a change there.
If the content and the intent of the guidelines and the
code overlap, then it's going to require a change in the
municipal code so that now the two documents don't conflict
with one another.
So can you give me an example?
So for example, let's say we voted on including new art
funds to be allocated towards a community-wide dance
concert.
How would that, how would the municipal code be affected by
something like that?
Yeah, so for your, for your specific example, chair, the
way that the guidelines and the municipal code is currently
being interpreted is the acquisition funds, the public art
acquisition funds can only fund physical visual arts.
So for your example, because that doesn't currently fall
into that visual, physical art form, then a recommendation
to change that within the guidelines would then need to
update and correct what that language is in the guidelines,
as well as the language and the definition of funding for
visual, physical visual arts in the men's code as well.
So it's not just a matter of just, and that's why I
appreciate this line of questioning because the two are
really tied in together.
We can't just change the guidelines, the content, the int
ents, the purposes of it without more likely than not having
to change municipal code as well because that's, for lack
of better terms, that's the law that we're being governed
by.
So this might not be a reasonable request, but is it
possible to get a copy of the municipal code or the pieces
of the municipal code that would apply to anything
regarding visual arts?
Or what the scope of the arts program guidelines, where
that would fall within the municipal code?
Yes, Chair, so I think if I'm understanding your question
correctly, what I can do is I can pull out from both the
guidelines and the municipal code, the language that I'm
seeing that, that overlap, but also kind of binds us by
that.
definition of visual arts.
And I can provide that to the commission after this meeting
for future discussion and then also pull that out so that
we can look at it on a slide and discuss it all in open.
Because I think maybe to the root of your question, and
that's why I wanted to highlight as a really big piece of
why we've been having these conversations is that physical
and visual art definition and then the conflicting
definition of what public art is, they conflict with one
another with the
within the same document.
Yeah.
So because of that, I want to be as transparent as I could
of why there is that uncertainty and clarity and we can
definitely pull that out, send it out to the commission and
then share it at a future meeting as well.
Yeah, I think that would be helpful. So we kind of knew
what we were dealing with before we got into, you know,
discussions about what we wanted to change or add. Yeah.
So in other words, for instance, if we wanted to include
performing arts, we would need to go through the process
that you just mentioned of municipal code revision and
guidelines as well.
Yes, Commissioner Gascoigne. Yes, concept wise, but if I
can just rephrase what you said. So if you wanted to
potentially include performing arts literary arts or other
arts to be funded by the public art acquisition fund, then
this is the space where we would have those discussions
provide the recommendation to city council for the
guidelines and I'm leading with the guidelines first
intentionally.
And if those guidelines, you know, depending on what
council decides to do with that, any corresponding changes
would then have to be made to the municipal code as well.
So what would be the first step to take? Have a meeting
with you guys and, you know, review all this, the municipal
code and...
Yeah, absolutely. If I can, Commissioner Gascoigne. So what
next steps look like for us, right? So we, we, well, our
recommendation is, is to put this in front of the arts.
A little bit of direction that we're looking for tonight is
, and it doesn't have to be tonight. It could be in the
future, but the commission could direct staff to come back
on a monthly basis, kind of review different items or ask,
ask questions.
What do y'all want us to look into? What are the, what are
the things that are other items in the guidelines that you
want us to come back with? And this kind of becomes a
monthly routine and update for us to have these discussions
.
So if you would like, you can also form an ad hoc to work
with staff on a regular basis. And I still would recommend
that ad hoc on a monthly basis, report any progress
questions or new things that have come up in their work
with staff on this.
So if you would like to ask, the next steps is to continue
to work on this item.
So if you would like to ask, the next step is to continue
to work with staff on this item.
And then, if you would like to ask, the next step is to
continue to work with staff on this item.
And then, if you would like to ask, the next step is to
continue to work with staff on this item.
So, if you would like to ask, what are the things that are
going to work with staff on this item?
And then, if you would like to ask, what are the things
that are going to work with staff on this item?
And then, if you would like to ask, what are the things
that are going to work with staff on this item?
And then, if you would like to ask, what are the things
that are going to work with staff on this item?
And then, if you would like to ask, what are the things
that are going to work with staff on this item?
And then, if you would like to ask, what are the things
that are going to work with staff on this item?
And then, if you would like to ask, what are the things
that are going to work with staff on this item?
And then, if you would like to ask, what are the things
that are going to work with staff on this item?
And then, if you would like to ask, what are the things
that are going to work with staff on this item?
And then, if you would like to ask, what are the things
that are going to work with staff on this item?
And then, if you would like to ask, what are the things
that are going to work with staff on this item?
And then, if you would like to ask, what are the things
that are going to work with staff on this item?
And then, if you would like to ask, what are the things
that are going to work with staff on this item?
And then, if you would like to ask, what are the things
that are going to work with staff on this item?
And then, if you would like to ask, what are the things
that are going to work with staff on this item?
And then, if you would like to ask, what are the things
that are going to work with staff on this item?
Thank you, Carlos. And I am glad that we're talking about
this now, because I see Brentwood growing so fast.
And I have seen other, even smaller cities that are having
a performing arts theater in their little city.
You know, Westlake Village was one of them.
We were only about 12,000 people, and we had a performing
arts theater.
And it just brought the entire community together so
beautifully.
I think it is important to start thinking about that,
because Brentwood is really growing fast.
Thank you.
So today, we-- are there-- do you have any questions?
Are there any more clarifying questions before we move to
discussion?
Okay.
Chair Cook, may I-- maybe I apologize.
Can I recommend, if there's no more clarifying questions,
we check for public comment.
And then, if there are none public comments, then we can
move into discussion.
Yes, absolutely.
Are there any-- no more clarifying questions?
I think it might be a good time to have a ad hoc at this
time, or maybe next time when we have more--
So right now--
So right now, we just have to wrap up any clarifying
questions, and then we're going to open it up to public
comment, and then we can move on to discussion.
Okay.
Okay.
So I don't believe there are any other clarifying questions
.
If we could open it up-- is there any public comment?
There are no public comments at this time.
Okay.
Okay.
So on that, we can move to discussion for what your
thoughts are for this.
Go ahead.
So that was my question.
At what point should we start working on having an ad hoc
to discuss about the possibility of adding a performing
arts theater or something bigger in-- you know, included
within the program that we already have?
So, Commissioner Gascoigne, if maybe I can clarify a little
bit.
So we want to start this process with the Arts Commission
now.
We are looking for a little bit of direction on if you'd
like to do this together as an Arts Commission on a monthly
basis, or if the preference is to create an ad hoc, and
that's going to be less than a quorum, so two members
typically, to work with city staff on looking into these
items.
So that's part of our ask tonight.
So I think the other piece I do want to clarify is a lot of
these conversations on what is-- and there's more to this
conversation-- but I think one of the things that we're
focusing in on is what are eligible or what are definitions
of art forms that we can use the funds for?
And right now it's the physical, and right now it's the
physical, and right now it's the physical, visual arts.
So we're looking for a little bit more to look at the arts,
and we're looking for a little bit more to look at the arts
, and we're looking for a little bit more to look at the
arts.
So I do want to clarify, we're not necessarily talking
about the Performing Arts Center right now.
That's not the focus.
But we are talking about what are eligible uses of public
art funds, as well as what are the updates we want to make,
or recommend to make, to the public art guidelines.
Okay.
So in other words, I think at this point we need to focus
on reviewing the municipal code and the guidelines.
Okay.
Okay.
Perfect.
I would suggest to move forward with talking about this as
a full commission over the next few months.
I was part of that original clarification of even what arts
meant for the arts commission.
And I think that's the first question.
I think that's the first question.
I think that's the first question.
I think that's the first question.
I think that's the first question.
I think that's the first question.
I think that's the first question.
I think that's the first question.
I think that's the first question.
I think that's the first question.
I think that's the first question.
I think that's the first question.
I think that's the first question.
I think that's the first question.
I think that's the first question.
I think that's the first question.
I think that's the first question.
I think that's the first question.
I think that's the first question.
I think that's the first question.
And I think that continuing that conversation, both
publicly and with a full commission, I think would be
really beneficial for everybody to kind of understand of
where we're at now and where we would like to move forward
to.
That would be my recommendation over doing an ad hoc that
really only had two people involved.
I think having the involvement of the full commission, I
think would be the most beneficial just for the education
in general.
And then, so do you also want recommendations on immediate
clarifications of what art should mean to be able to move
forward?
Or is that for possibly next month?
So right now, as I'm hearing the current discussion, you
know, when the time's appropriate, there may be a motion
that's to bring this out and back for the commission to
weigh in on as a commission.
The other piece that is part of the ask is, I wanted to
highlight really the kind of top things that have come up
with these guideline discussions.
And it's surrounding eligible use definitions of art
clarity on permanent versus temporary art, updating some
sections about instructor led art.
So those are things that we want to dive into and report
back to the arts commission.
Are there any other sections of the guidelines that stand
out that need clarity?
Because we are going to be working with other departments
on these items.
So again, we want to kind of flush as much of this stuff
out as possible.
And it's okay if it's these three items is our first focus.
And as we kind of talk more other items come up.
But I wanted to make sure we all start with the strong
background of where we came from, how we are, how we can
use funds as they exist.
And then kind of what our next steps forwards are going to
be.
So to kind of summarize what that looks like again, looking
for a little bit of clarification on if there's a motion,
how this comes back.
And then outside of things that I highlighted, were there
any other items in the guidelines that we wanted to look
into right now?
Stand by.
Okay, before I, before we like make any motion, are there
any questions or discussion points that the commission
wanted to bring up or opinion on how to move forward?
I like the idea of what you mentioned.
I think the full commission should be included on this
discussion.
Because I'm sure we'll have all different opinions and we
can all benefit for it.
And.
I think it's very important to also get everyone's opinion
on because I'm like writing notes over here trying to go
back.
Making sure that I understand everything correctly.
So we're just trying to redefine what the public, how the
public guidelines should be and how we're going to present
them.
Okay.
Okay.
Okay.
Um, just a little bit of like more backstory.
And this came up, um, since my time on the commission.
And there was a lot of question on where music and
performing arts and, and in our original guidelines.
It was not clear that it was just strictly visual art.
And so that was kind of, um, almost a surprise to the, to
the commission on where and how we can use funds.
And so that's what kind of sparks this whole, the, the
questioning of the guidelines and wanting to be able to
expand the scope of future art funds.
Um, is it an appropriate use of time to, uh, at the next
month's, um, meeting to kind of go through together what is
currently stated in the guidelines and be able to kind of
go over each point and talk through questions with.
City staff, because if we have an opportunity to make
positive progress forward, I don't want to miss anything.
Chair Cook.
I do understand your question, but maybe I can provide a
little bit of my thoughts here.
I I'm kicking myself a little bit because, um, we've been,
I've, I've had some of these conversations with arts
commissions and I made a couple assumptions.
I think what might help is if I provide, um, after this
meeting, some of the language and references and the
guidelines and the menace code that contradicts one another
.
Mm-hmm.
I'll provide that through an email, share that with
commission.
And also bring it back at next meeting and have a couple of
visuals of, Hey, this is my reference point.
Um, and show y'all kind of where that language, um, is at
odds.
That gives the commission time to look at it before the
next meeting, think it over, kind of bringing their
questions.
And again, we could bring this back next meeting.
I apologize as, as I'm listening to your discussion.
Unfortunately, I made the assumption of y'all know what I'm
talking about.
Um, it's clear to me that I didn't do a good job of pre
pping for this one.
So I can send that information out.
Um, the discussions we've had the last couple of years
where the language is at odds, where that narrow definition
of visual and physical art I'm referencing comes from.
Um, and I think I will use the two documents highlight
reference them each other.
Um, and, and again, that's not anything private.
I'll just share it with this commission.
And then also we'll have it available for next meeting as
well within the, um, agenda packet for anyone following at
home of kind of what those are that allows again, the
commission to review that bring any questions, bring any
clarifications, um, and then have another robust
conversation about those.
Okay.
It'd be very helpful.
Thank you.
Does that need to be, um, placed in a motion or anything?
Okay.
So aside from that, which I think is great.
And I think it's gonna be super helpful for the new
commissioners.
Um, do you, so you need a motion for anything else besides
that, or is that just going to be our first step?
Yeah.
So the recommendation for me is if there's a motion, um, it
would probably consist of one, one and or two things, um,
for this to come back on a monthly basis for the arts
question to work on.
Right.
That's kind of one piece of that.
Um, and then the other piece of that is if there's any
other items that, um, the commission wants us to look into
in relation to the guidelines, that, that doesn't actually
have to be a motion.
Um, and then again, like I said, it doesn't have to just
come up tonight.
Yeah.
As you all are discussing this in the future, it could come
up another time, but that allows us as we're working on
these things, we're also trying to figure out other stuff
as well.
Um, I think it would be a better choice to make that motion
, that second piece of the motion after we have gone through
all the things with the next meeting with hopefully a full
commission.
Um, if there are no other comments or questions, I can make
the motion to, uh, bring this back on a monthly basis to be
able to move forward with questions as a, as a, as a
commission.
Okay.
So I'm going to make a motion for city staff to bring this
back to us on a monthly basis so we can discuss any changes
with a full commission instead of doing an ad hoc.
I second that motion.
Before, before you vote on that chair, can I just maybe
clarify the motion?
Um, everything I hear is, um, makes sense when you
mentioned full commission, does that just imply a motion?
Does that just imply when you have a quorum or is it a
conversation that you only want to have when there's five
members?
No, I think that that when we have a quorum.
So, so yeah, so, so I would just clarify the motion for the
record that, um, you want us to bring this back on a
monthly basis for the art mission, arts commission consider
at your monthly meetings.
Okay.
I am going to make a motion for this to come back on a
monthly basis so we can discuss it as a commission.
I second that motion.
All in favor?
Aye.
Aye.
Aye.
Aye.
Okay.
That motion passes.
I'm excited for that.
Okay.
Um, are we ready to move on to G point two?
Yes.
Thank you.
Tiana is going to pull up a presentation, but just a little
bit about, um, what is happening here.
Um, staffs recommending that the arts commission receive
and review the updated art priority list for 202627.
As we discussed last month, um, at our March 19th meeting
and provide direction on the next project to initiate
following the completion of reading convergence later this
year.
Um, so just to give us a little bit direction of what's on
our list and where we are going to be moving forward.
Um, so right now we are in our phase one of the public art
spaces.
Um, so we're going to be doing a great job.
Um, so we're going to be doing a great job.
Um, so we're going to be doing a great job.
Um, so we're going to be doing a great job.
Um, so we're going to be doing a great job.
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Um, so we're going to be doing a great job.
Um, so we're going to be doing a great job.
Um, so we're going to be doing a great job.
And we're going to be doing a great job.
And we're going to be doing a great job.
And we're going to be doing a great job.
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And we're going to be doing a great job.
And we're going to be doing a great job.
And we're going to be doing a great job.
And we're going to be doing a great job.
And we're going to be doing a great job.
And we're going to be doing a great job.
And we're going to be doing a great job.
And we're going to be doing a great job.
And we're going to be doing a great job.
And we're going to be doing a great job.
And we're going to be doing a great job.
And we're going to be doing a great job.
And we're going to be doing a great job.
And we're going to be doing a great job.
And we're going to be doing a great job.
And we're going to be doing a great job.
And we're going to be doing a great job.
And we're going to be doing a great job.
And we're going to be doing a great job.
And we're going to be doing a great job.
And we're going to be doing a great job.
And we're going to be doing a great job.
And we're going to be doing a great job.
And we're going to be doing a great job.
And we're going to be doing a great job.
And we're going to be doing a great job.
And we're going to be doing a great job.
And we're going to be doing a great job.
Six of them will be done.
They will have it done before they finish school at the
beginning of June.
So we'll have six new utility art boxes.
And then coming up as part of that, I'm going to be doing a
call for artists, April 27 through
May 31st of this year, to work on another 10 to 12 art
boxes within this list.
So we'll still have a little bit left over on our list.
Again, we're making a good dent in our list.
And then moving on, our next number four, our next on our
list was the permanent art collection.
So we're kind of getting into where we want to go next
after summer, the end of the year.
So we have our permanent art collection, which we do have
an ad hoc for.
So we're looking at the community center, city hall, the
senior activity center, and the police department.
And then we are going to be moving into our public art
spaces phase two.
So there's a couple locations there.
We have the walnut medium, median between Armstrong and
Carnegie Lane.
There's, we're looking at a potential diversity project in
that location.
Nothing has been set.
It's, it is coming up as a topic of discussion.
So it probably sooner rather than later.
So kind of weighing in on that.
Do you have anything to comment on that?
No.
Okay.
And then the next one, we have the Balfour road bypass
median between highway four westbound
and a Balfour exit.
That's again, just another location for a second public art
space.
Again, it could be a diversity project.
We could choose one or the other location.
This one is, they're kind of like off of fair view where
Safeway is.
You can see the little bridge over there going up towards
the freeway.
Um, so that could be one of them.
And then the next one, the third one would be, um, it's on
the list as where the amphitheater
will be.
So that's kind of on the back burner right now to, so until
we figure out what happens
with the amphitheater and where art funds can be used.
Um, and then the next location after that, um, city council
is looking at, they would like
a public art piece in, um, district two.
There is not currently, um, a big art piece in district two
.
And so the idea has been at the, um, one of the center med
ians going, if you're coming
from Oakley into Brentwood on Brentwood Boulevard, um, it
would be at Lone Tree and Brentwood
Boulevard.
That's kind of beyond that.
There aren't any medians.
So it's not quite where we get into Brentwood.
It's a little bit after when we move into Brentwood, but
that's where a median is, but
like a welcome to Brentwood type of, um, piece of art in
that area.
And then some future locations that we have on our list and
that we've talked about is the
outdoor area of the library, the courtyard and that front
area.
Um, dainty Avenue and central Boulevard has also been on
that list.
There's that dirt lot there, um, putting something there.
Um, and the Fairview Avenue and sand Creek, that is where
the sports complex now is.
Um, so we have also kind of knocked that one off the list.
And then right now we have the corner of Oak street and Wal
nut Boulevard.
That is a city owned parcel there.
Um, and we would possibly like to put something there in
our piece there.
Can I ask you a question?
Um, okay.
Okay.
Oh, if it is or no.
It's okay.
Go ahead.
Okay.
Well, um, I've been thinking about having a place where we
can paint a mural that represents
the city because this is an agricultural city.
And, uh, I have some, seen some paintings of, uh, I think I
show you one.
Yes.
Yes.
You, you are reading my mind because there's a couple,
there's a couple areas.
So we're, we're trying to figure out where would be a good
place for a mural.
We would love to do a mural coming up.
Yes.
Yeah.
We don't have a lot of walls here in Brentwood, um, on the
streets.
And so we were tossing around that idea of the Brentwood
family aquatic complex.
Um, while it is kind of closed off and not everybody sees
it, we do have a lot of families
and, um, seniors and adults that go for, for rec swim, lap
swim, um, lessons.
And so we were looking at the idea of one of the walls
within the comp that the pool complex.
Um, so that's one of the areas.
Another area we were looking at is, um, there's a couple
areas within sunset athletic complex
as well.
And again, it's not open to the public 24 seven.
Um, but it is opened a lot and a lot of our families do
visit there.
Um, and so we're looking, there's a couple walls in, um,
was, what was the, um, a conics
box, um, that we might be able to do a mural on.
So those are a couple of the mural locations that we have
come up with.
And then again, you know, if you guys have any, um, other
locations.
So that is, that's the end, right?
Yeah.
So with that, um, we're looking for the commission to guide
us on where you would like to move on
that list after I believe we've done the route, the top
three, um, moving into the other ones.
And if you have any input on the future locations of the,
um, projects to add to this list.
And again, it's going to be going to, um, see, these are
your recommendations.
They'll be going to city council in June.
I have a question.
Um, the, let's see.
There are new utility boxes that will be painted in the
near future.
And in April, May, you will be sending out letters to
artists.
So people that have painted in the past.
Yes.
So we'll do a call for artists kind of like what we do with
the public art walls.
Um, it will be, it'll be like that and, um, it'll, it will,
we'll market it and broadcast
it.
So any artist can, um, come in and again, we've tossed
around the idea of vinyl wraps.
So if there's photography, you know, that comes in, we can
look at that.
Um, and so once we get all of the, um, submissions, then we
all bring it back to the commission to,
uh, go through.
Okay.
As, as a commissioner, can I possibly participate in
painting, uh, an utility box?
Not just by myself with someone else possibly.
If I can, uh, Lindsay, um, so typically for items that you
have, um, direct contact when
there may be a conflict of interest.
Um, so I don't want to say no, but if that is a path that
you choose, my recommendation would
be that you would then recluse yourself from discussion or
any, um, actual official motion
related to that item.
Yeah.
So that's, so that's something for consideration.
Um, but if you do end up wanting to participate, again, I
don't want you to hear no.
Um, it does impact your, your role and your relationship
with the commission itself.
Yeah.
That's what we did with my paintings that I exhibited in
the city hall.
Yeah.
All right.
Yeah.
I have a question.
So going back to one of the future potential, um, places
like the library.
So were you thinking about adding a sculptor or could that
be a potential place to do a
mural?
I've seen like how crowded it can be.
So I was just wondering about that.
Um, that would be something that we would discuss as a
commission and make a recommendation.
Um, the bill, we do own the building.
Um, there is a little bit of wall space there.
So, um, I think looking at it, talking about it, um, and
making a recommendation would be
the route to go.
Um, or if there is a specific, there are some planter boxes
there on the, on the right side,
on the other side of the chairs.
Um, and then we have the little, um, the fruit hope.
No, what's, what's in there right now?
No, the, um, next to the food thing, the concession stand,
we have the wall there on the right as
well.
Um, so there are, there may be not a large sculpture, but
something on a smaller scale.
But yes, again, we could, we could talk about, um, a mural
in that area as well.
Um, okay.
Okay.
So just for clarification for phase one with the public art
spaces, radiant convergence,
we are moving forward.
We don't really have to deal with anything with that.
Same with the public art guidelines.
We just kind of clarified that we have a plan for that
moving forward.
Utility box program with PADA that is moving forward.
We're good to go.
Um, summer and fall utility boxes.
There is a plan for that.
We are good to go.
The city of Brentwood permanent art collection.
Because we have an ad hoc for that.
Are we good to go with that?
So we are really focusing today on five, six, and seven to
be able to weigh in with discussion items and questions.
Yeah, we have the ad hoc for the permanent art collection.
We don't have specific direction on work on where we're
going.
Okay.
As soon as the ad hoc starts to meet.
Okay.
Then yeah, we will have, we will have that role.
Okay.
Yes.
Because there's an ad hoc, there's really nothing for us to
.
No, not at this time.
Not tonight.
Got it.
Yeah.
Perfect.
And if I can, Lindsay, I apologize for interrupting.
Um, just to clarify what you're looking at is, is what it
is.
It's a priority list.
Yeah.
So if, so if there's a question on, you know, what's the
commission's priority or what staff working on, we're
working down that list.
The only reason I wanted to mention that is there is a
small asterisk in that statement in the other locations for
art.
Um, what that allows us to do is keeps an inventory of
available art spaces.
And then when we have a group, for example, Pata that comes
to us and say, Hey, we're looking at doing this type of
artwork.
You have something already in your parking lot to look at
and say, Hey, these are kind of locations that we're
already thinking about.
Um, so that, that was, um, that's something that was very
helpful when we started the, um, the birds of beauty and
try fish project.
Mm-hmm.
Sand Creek and O'Hare planter box had sat as a, uh,
additional location for future art for many years until
that project came along.
And that's how it kind of got plucked, if you will, or, or
used for, um, an art project.
Okay.
So, so we're not really necessarily.
Looking to reorder phase two, three or the future.
It's just knowing what we have to be able to work with what
new opportunities come up.
Okay.
Yeah.
If you want to add any locations or kind of put an asterisk
there with an idea of this would be a great place for a
mural or, you know, this would be.
Um, I have a question on the Oak street and Walnut Boule
vard project, because I believe that parcel is where the
potential, the Grove is going in the food hall.
Um, yeah.
Um, so is that still on our list?
Um, so that currently is on our list because the land is
part of assessor agency.
Um, there is a proposed, uh, development on that.
Um, I believe there's an item going to the planning
commission in the future about that.
Um, so that may, that list may change.
Um, but I, I, I, and I don't mean to be cryptic or anything
like that, but, um, that was, that has been a location on
our list for a good amount of time.
Kind of like I talked about for the padded project, we keep
these inventories of list.
Once we installed a art project on San Creek O'Hare,
obviously we take it off that list.
If changes happen like a piece of land is not available or
things change.
Um, we of course update the commission.
I think the other thing I wanted to bring up with that is,
um, we, by, um, by duties and powers, the arts commission,
we are required to go to city council annually with our
prioritization list on an annual basis.
But anytime throughout the year, if the commission
recommends a change or the council, um, wants to direct to
change this list can change throughout the year.
So don't feel like this is your only shot at this.
Um, but it is a little bit of a fluid living document.
So, and excuse me, with this priority list, since we've
made good strides with most of this and the permanent art
collection is kind of an ongoing.
project.
Correct.
Um, are we in a position where we could say we'd like to
start movement on a next.
Like art space project.
Yeah.
So I think that's where we're looking for some feedback
from the arts commission here.
Um, and, and just to maybe expand on that, just a touch
more chair cook is, um, the public art space CIP project
originally called, um, four corners slash gateway project.
That's where we have that art project that was installed,
uh, fields of time last December rating convergent project.
The project originally called the CIP project originally
called for three or more, um, big kind of monuments that
would greet and, and welcome people into kind of the per
imeters or the entryways into Brentwood.
Um, it's a 10 plus year old project.
Um, we've been able to make progress on, um, build a time
that's completed rating convergence, hopefully at the end
of the year.
Um, and then that next phase is kind of put up in the air.
Okay.
So that's something that the commission wants to kind of
discuss.
Um, but also do you want to clarify any leftover money in
that CIP?
We'll go back to the city council to also provide some
direction as well on if they want to close that CIP,
provide more funding for it.
Um, but again, we've listed those things out as discussions
I've had over the last 10 years on what that may look like
in the future.
Hopefully that answered your question.
Um, but again, it, it helps us prioritize so that we're not
working on one of these public art space projects.
That's item number six.
When you really want us to be looking at item number four,
you know, permanent art collection.
Okay.
Um, all right.
Do we, are there any more clarifying questions on this?
I am looking at the phase three public art spaces.
March Creek and Vineyard Parkway.
Uh, we have a, an utility box there of the house of John
March.
Uh, and.
Is it a different project plan for that area?
Like.
Yes.
Do you have an idea?
Yeah.
The utility box is separate.
So, um, that is on there because that is the, that has been
the, um, suggested amphitheater project.
Um, we haven't moved forward with any plans yet.
So we've kept it on there.
Um, but yes, the, the utility boxes and the project would
be separate.
Oh, yeah.
Yeah.
Yeah.
Okay.
Okay.
And talking about John, John March, I think, uh, I brought
up last, um, meeting.
Um, I think it is a very important project to follow up on
because it's historical.
Is this home?
I, people talk so much about the tools that they used to
have once a year for an entire month,
I think.
Um, and they have stopped because they were, um, they had
done some remodeling, I think.
But, uh, do you have an idea when they will reopen or if
they will at all?
Not at reopening, but didn't just take.
So for, for right now, we don't have an official project
with the John March house.
So that's why it's not going to show up on this priority
list.
Um, they have presented to this commission in the past on,
on possible potential projects.
However, the commission itself as a body hasn't, um,
provided direction on moving, moving anything
specifically forward.
As far as it's kind of the, um, uh, the status update on
the house and any of that stuff, it's
a little bit outside the purview of the arts commission.
So, so I just kind of want to keep us focused on track on
this item, the priority list.
So, um, I think, um, I think that, uh, um, I think that, uh
, uh, we're going to be a
be a part of the public, uh, that, uh, we're going to be a
part of that.
Um, I think that, uh, we're going to be a part of that.
And, uh, we're going to be a part of that.
Um, we're going to be a part of that.
We're going to be a part of that.
Um, we're going to be a part of that.
Um, we're going to be a part of that.
Um, we're going to be a part of that.
Uh, we're going to be a part of that.
Um, we're going to be a part of that.
Um, we're going to be a part of that.
Um, we're going to be a part of that.
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Um, we're going to be a part of that.
Um, we're going to be a part of that.
Um, we're going to be a part of that.
Um, we're going to be a part of that.
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Um, we're going to be a part of that.
Um, we're going to be a part of that.
Um, we're going to be a part of that.
Um, we're going to be a part of that.
Um, we're going to be a part of that.
Um, we're going to be a part of that.
We're going to be a part of that.
Um, we're going to be a part of that.
Um, we're going to be a part of that.
Um, we're going to be a part of that.
Um, we're going to be a part of that.
Um, we're going to be a part of that.
Um, we're going to be a part of that.
Um, we're going to be a part of that.
Um, we're going to be a part of that.
Um, we're going to be a part of that.
Um, we're going to be a part of that.
Um, we're going to be a part of that.
Um, we're going to be a part of that.
Um, we're going to be a part of that.
Um, we're going to be a part of that.
Um, uh, be there at all times instead of just during like
when kids are playing sports.
Correct.
And that's, yes.
And that's part of the discussion that we would like to
have.
So we can, um, delve deeper into that during, um,
discussion, um, after if there are no
more clarifying questions.
I don't believe we have any more clarifying questions.
Do we need to open public comment?
Yeah.
Do we have any public comment?
We have no public comments at this time.
Great.
Okay.
Um, okay.
So to open up the discussion, uh, I wanted to talk about
this phase two, the possible diversity
project on the Walnut median of Armstrong to Carnegie, to
Carnegie lane.
Um, in my opinion, that is a really strong place to put a
large, large, large, large, large
um, project representing the diversity of Brentwood there.
And I think that it aligns really well with, uh, city
councils, uh, push for agritourism.
Because that is a main thoroughfare where families are
going to be coming in to travel into Brentwood,
to visit the farms, to partake with the agritourism and
being able to align with that, um, I think
would be a great place to start.
It's an entrance into our city.
It is a huge thoroughfare for families who are coming in to
visit the farms, um, and the, and the wine or the vineyards
that we have here in town.
Um, so out of all of these, I think that that for me, that
would be the project that I would want to move forward with
, um, the most, I feel like it would have the most visual
impact and to have the most visitors being able to see it
coming into town.
Um, I mean, other than that, I think, you know, uh, ball
for the ball for road bypass.
I mean, another great spot as well for something large.
I don't think there's anything wrong with that spot.
Um, for the amphitheater location.
I think that there's a lot of things that are going to be
coming in the next year or so with the, uh, amphitheater
event center discussions that are going on with city
council.
Um, and I'm hoping that the arts commission will be able to
be part of those conversations.
Um, and I think a lot of that has to do with being able to
amend the, uh, wording of the scope of where we can use
funds.
Um, but that's going to be down the line.
And so I wouldn't recommend, I wouldn't recommend that to
be a focus point because we are kind of a ways away from
that happening.
Um, and I love the idea of Brentwood Boulevard towards Oak
ley of having another welcome sign, you know, welcome to
Brentwood coming from that side.
We don't really have anything on that side.
Um, and then the future opportunity sites.
Uh, I think the library courtyard is very pretty with the
architectural design that we have there.
Um, and I agree with you.
It is very crowded.
And so that wouldn't be a priority for me because I do
think it is already visually beautiful in that space.
Although it is a very nice large wall to do some type of a
mural there could be very impactful.
Um, the dainty Avenue in central Boulevard corner is an
eyesore and to be able to put something beautiful there, I
think would be great.
But even out of all of these, I still really, truly feel
like putting something on that walnut median for people who
are coming into our town specifically,
since we are the, uh, the you pick capital of, is it the
world of the world?
I think that that would be very fitting to put something
that really shows the diversity of Brentwood and what makes
our town special to enhance more of that tourism to come
into our town to have a really strong impact.
Um, so that would be my recommendation.
And I'd love to hear what you guys think.
Oh, I, I am very excited about this because I've been
hearing the same thing you have that Brentwood is the you
pick city of the world.
And that's so impressive.
You know, um, in, um, Bowman, uh, near, um, Palm Springs,
towards Palm Springs.
That's where we used to live.
Um, the, the city called, uh, Bowman had the cherry
festival because in many, many years ago, that's what they
grew the most.
But now they are not growing cherries anymore.
And they have housing all over.
And they, uh, still have the cherry festival during the
summers.
And they attract people from all different cities around
from redwood, red red lands and different places around the
city of Bowman.
And, you know, I think we should be having a cherry
festival because we do have a lot of cherries here.
And, uh, you know, that would be something, not something
new, we could probably, uh, use it together for publicity
as, uh, with the regular concerts that we are having during
the summer.
Just so people could come from other places to enjoy the,
the, what we do here, which the cherries are amazing here,
very popular.
And so it's a corn for, for that matter.
Other things too.
But, uh, we need to focus a lot on the agricultural side of
it because it's very important.
Do you have any feedback, any discussion points?
I would like to emphasize, um, the cherries if anybody has
driven down on sellers.
It does get really crowded and it seems like it's more than
just people from Brantwood coming by and getting cherries
right off the tree.
So I think that would be a great idea to do something that
emphasize what, uh, Brantwood is known for or what we have
to offer.
So I think that's a good idea.
Uh, chair, if I may, can I make, uh, can I just get a
little clarification?
Um, commissioner cook, when you mentioned the location of
the park being, um, closed off and not exposed to the
public all day.
Can I clarify?
Did you mean the, uh, Brantwood family aquatic complex at
veterans park, or did you mean, um, sunset athletic complex
?
Sorry, I just want to make sure I'm capturing my notes
correctly.
I was not aware that there were two parks that were closed
off.
I'm just familiar with that one park, but I definitely
believe that maybe we should do more of a public park.
So, um, so everyone has an opportunity to view it instead
of just waiting until the gates are open.
Um, okay. So when it comes to our priority list, is it
appropriate to have a large scale project?
Um, it, I just wanted to confirm that it is appropriate to
have a large scale project, kind of like what we did with
fields of time and radiance convergence, along with the
next thing on our list, which is the permanent art
collection.
Like we don't have to wait for the permanent art collection
to be completed before we move forward and do a call for
artists for this, you know, walnut median.
So, um, so like if we, if I made a motion that said we
would like to move forward on starting a new project on the
walnut median, is that something that we can do tonight?
Or is that where are we at with this?
So this is your prioritization list. So if, if what I'm
hearing chairs, if you wanted to flip, um, priority for
permanent art collection with phase two public art spaces,
um, you, you can do the, you can do that.
Why can't it be done at the same time?
So what it is, is it just depends on what direction those
projects are looking at.
So for me, my example is going to be, you know, item one,
two, three, for the most part, they're all kind of all
happening simultaneously, right?
I don't, I don't read B is going to be happening really at,
at the conclusion of us wrapping up the padded piece.
Um, and then that's when we're shifting down that priority
list.
Um, so that, that's just prioritizing our work.
Um, if the art collection is what the fourth priority you
want us to focus on, then we can do that.
Um, it's just helping us prioritize what, what comes back
to the commission, um, and, and how you want to lay that
out.
Does that help or did I make that unclear?
Um, no, it's, it's not unclear.
I guess I'm just wondering why, um, I, I guess what I want
to make sure of is, is there a reason, like, if, if I, if
we keep this list the way that it is, and number four stays
as the permanent art collection, does that mean that we
have to wait for that to be completed?
Oh, okay. So we don't have to wait for it to be completed
before we can move on to a large scale project.
So it's a little, so I, I think I understand your question,
chair.
Um, so focusing on item four and five right now, just as an
example, art collection and public art spaces.
Hypothetically, in the next meeting, we meet with the ad
hoc for art, permanent art collection, and you, you decide
something.
Move forward, don't move forward, whatever that may look
like, right?
That kind of allows us to work down that list now.
Um, and it can be simultaneously with another project, but
then that allows us to now say, all right, perfect, we're
gonna move to public art spaces.
Um, and kind of start those conversations.
Um, we wouldn't necessarily, um, start talking about phase
three public art spaces until we've crossed the path of
public art spaces too.
Uh-huh.
And again, that, that's, that's not to imply that it's done
, not done, whatever it may be.
Uh-huh.
But it just helps us prioritize the items that come back to
the Arts Commission and the things that we're working on as
staff.
Okay.
Does that help?
Yeah.
And again, I think hopefully I'm being clear that we're
working on a lot of these projects simultaneously.
Yeah.
It just helps us sequence and understand what your
priorities are as well as council understanding what are
the priorities.
And I'll use again, example of phase three public art
spaces, um, with those locations.
For this commission, for the most part, we really haven't
talked about that for a couple of years now, because again,
it's much lower on our priority list versus you're hearing
regularly about utility boxes, guidelines, and, um, rating
convergence.
Because again, it's a higher priority for y'all.
Mm-hmm.
So today you need a motion just to accept the public art
priority list?
No, what we were trying to clarify is, um, uh, if we're
understanding, Lindsay, is that the additional locations
that we're looking to add for future opportunities, the
sequence and order of the priority, of the projects in the
priority list.
And then what you would do is, this would be a
recommendation to city council as far as your annual
priority, like art priority list.
Okay.
So, um, so hypothetically, I would be making a motion to
phase two of the public art spaces to be focused on the
walnut median with a diversity project.
But keeping it still as number five on the priority list?
Mm-hmm.
I guess I need to know how you want me to structure a
motion here.
Sure, sure, sure.
So what it is, is right now, um, the first three projects,
we have, um, pretty clear direction and we're routinely
updating the commission on.
Yeah.
So, um, what I'm hearing is between project four and five,
just sequencing those of which one you want us to come back
first with.
Again, they don't have to be completed for us to move on,
but what is it that you want us to work on?
Um, and then again, approving the overall list to be
recommended to council.
Um, so what it is, is if you keep it as is, we'll bring
back, um, as of this time, the permanent art collection for
y'all discuss, get a little bit direction there.
And then we talk about the phase two public art spaces and
really dive into that a little bit more, um, on what that,
what that would look like.
But when it comes to the permanent art collection, we have
an ad hoc.
So.
It, this just needs to be where we would, the ad hoc would
meet this next month and then bring something back the
following month.
Yes.
Yes.
So we would get the ad hoc together, discuss where you want
to move, bring it back to the commission.
Um, and then, but you, you also are giving us direction.
Okay.
The ad hoc is going to do that and bring us back with
recommendations.
But at the same time, I want staff to look into phase two,
number five public art spaces.
Okay.
That's exactly what I would like to do.
So I, you're going to have to talk me through this one.
So I would like to, let me know if this is not what you
guys want to do.
Okay.
Um, I would like to make a motion that city staff focuses
next on meeting with the ad hoc.
And to come back to us next month with some information on
the permanent art collection.
And in conjunction.
Focus phase two of the public art spaces on the walnut
median to present to city council as our recommendation.
Okay.
Okay.
Okay.
So, um, no, not necessarily chair.
So maybe, maybe, maybe I can understand.
So as the priority list exists, um, you're, what I'm
hearing is you're okay with the order
of it coming back to the commission.
And these are your priorities.
This is how you want us to sequence this.
Yes.
Um, you don't necessarily need to do a motion on what
specifically comes back.
These items come to y'all regularly because that's our
priority.
Okay.
Um, so that's, that's kind of what I'm hearing because
number five phase two public art spaces,
diversity project, water, medium, buffer, road, medium
bypass.
So if that's number five, we'll go through all the other
ones.
That's going to come back to the arts commission anyways,
for y'all to have a more robust conversation
about that.
So that's going to happen.
Um, this is just setting that priority of how staff is, um,
working on prioritizing sequencing.
I don't know the right word, but how these items are coming
back to the commission.
Okay.
Does, does that help?
So, so, so a motion tonight is really the updating of
additional locations that Lindsay presented.
If that's something that the commission is interested in
adding to that, and then ultimately recommending
this as the priority list of projects to go for city
council's consideration.
So for example, number seven, the library courtyard, um,
for a future site, would you do, would
the commission like to leave that on there?
Okay.
A little bit about that.
Okay.
Okay.
I may not be in the best site, um, leaving it on there or
taking it off.
Um, we've heard tonight that maybe, um, the family aquatics
center and sunset athletic complex
may not be the greatest places for murals.
Um, I'm hearing because they get locked up at certain times
and then they're not always
readily accessible to the public.
So I'm going to ask, I'm asking another question here then.
So this is just for this year.
Correct.
Right.
So the odds of us getting through the end of the year and
even having to discuss phase
three and future opportunities is kind of a moot point.
Correct.
Like we're not going to get there.
Not, not necessarily chair.
Um, what it is, is so future opportunities.
Like those are just additional locations.
If a project comes up, I mean, that's something that the
arts commission wants to, um, look
at what the project.
And again, I use padded cause that's kind of the easiest
really example that gave us a location,
but you are correct.
If you're correct in, um, item six phase three public art
spaces, that may not be something that this commission's
going to touch, but it is a priority, um, within the
sequence of how we're going to do our projects.
Does that help you chair cook or did I make it more
confusing?
Um, no, I mean, I think it's so.
Okay.
So I guess just with discussion for the commission, um, I
mean, if there are, I don't see a reason to necessarily
change any of this with the phase three or the future
opportunity sites, because, um, they're really far off.
And when it comes to the next year, we'll have an
opportunity to change them again.
So unless anybody feels strongly that something should be
taken off or added on, um, I don't see that there's
anything wrong with any of these locations.
So this priority list is actually just a guideline to give
us an idea of what we can possibly do, but things could
change along the way, right?
Correct.
This, this is where we're going, where we're moving forward
as things finish up.
Where are we going next?
Um, I will say for future opportunity sites, the only
change on number seven would be that Fairview Avenue and
Sand Creek road.
Those are going to fall off because that is where the
sporting complex is going to be.
Okay.
So you just need from us if that everything can stay as is,
and this is the recommended, um, priority list to submit to
city council.
And that's the motion that you need.
Okay.
So I'm going to make a motion to accept the 2026 2027
public art priority list as is.
With recommendations of city staff as state as changes come
up.
And I second that motion.
Okay.
Quick question.
Um, for that, is it just, uh, we're just going to be
waiting to figure out exactly this is where we want the art
pieces to be, or it's like, this is the done deal.
So this is just saying that as opportunities come up as
city staff brings us more opportunities to do more projects
, it would be the next thing at hand is going to be our
permanent art collection.
And then even simultaneously could be this phase two of
public art space.
Correct.
In addition to your typical public art walls and all the
other projects that you have on a regular basis.
Correct.
So in other words, those are going to be discussed and
projects will move forward on those before a phase three of
public art spaces.
And these future opportunities could be opportunities for
like the Pada project that comes up of spaces that we're
going to be able to use for additional projects.
But there's, it's not necessarily a hard and fast decision
on anything that is going to be put anywhere.
Yet.
It's just a, this is, we agree that this is how we want our
priorities to look and we're going to send this off to city
council.
Yeah.
Okay.
Okay.
So there's a motion.
You seconded the motion, right?
Okay.
Um, all in favor.
Aye.
Aye.
Before we finish this vote, do I need to open up a public
comment?
I know we did this at the beginning.
We did.
For my concern, we did have a comment on this one.
Okay.
So then I'm the last one to say aye.
Okay.
So we're good to go.
Okay.
Perfect.
Okay.
Um, you don't necessarily need a motion for this next item
chair, but it is related to this public art priority list.
So annually, this list is present, uh, presented to city
council, um, typically before, uh, the end of the fiscal
year.
Um, so we'll, we'll schedule that.
Um, our recommendation is, um, for the commission to
discuss, um, typically, uh, staff presents this item to
city council, but we typically have a representation of the
committee.
Um, we have a representative from the arts commission there
as well.
Um, with that presentation.
So I would recommend y'all discuss.
And if y'all want to assign someone to work with staff on
presenting this item to council, now would be the time.
Okay.
Um, when is that going to be presented?
Like,
For my understanding it's, uh, and I forgot, I apologize.
It's one of the June meetings, um, city council June
meetings.
Is that, um,
Um, something that we can discuss at the next meeting?
Because if we could have some, some solid dates, um, I'm
happy to go and present.
It'd be that, but I just want, I would want to make sure
before I threw my hat in the ring that.
Um, I was actually able to do that.
So if we could get some actual dates, that'd be great.
Yes.
The, the, the piece that was pending on, we didn't want to
just bet that it was going to be approved tonight.
So we'll get it on the planning calendar for city council.
Come back, um, next time as well.
But I also wanted y'all to think about that, um, for that
presentation.
Okay.
Great.
Um, and if anybody else wants to present either, I don't
have to be the one to do it, but I would be happy to.
If, uh, I'm in town, I'll be happy to go with you.
Okay.
All right.
That's great.
Um, is there anything else?
I don't think so.
Oops.
Um, okay.
Are there, we're going to move on to requests for future
agenda items.
Are there any new requests from commissioners, uh, wishing
to have an agenda item in place on the future agenda?
I shall make a request under this section.
These items will be included on the agenda for the next
commission meeting.
Um, but I like to continue with the public piano project.
Um, we are supposed to have a meeting today after this.
We can, we can talk offline after the meeting about when we
want to plan an ad hoc meeting for that.
Yes.
All right.
To discuss.
Okay, good.
Um, do I need to open up public comment after our new
requests?
Okay.
Um, then I, are we free to move to adjournment?
Okay.
So all in favor of adjourning the meeting, I don't remember
if I have to do that or not.
It's been a while.
If we can have the motion for adjournment, seconded, then a
vote.
Okay.
A motion for, I'm making a motion to adjourn the meeting.
Seconded.
All in favor.
Aye.
Aye.
Aye.
Aye.
Meeting adjourned.
At.
What time is that?
8:33.
Okay.
I'm at 8:33.
Okay.
I'm at 8:33.
Okay.
I'm at 8:33.
Okay.
I'm at 8:33.
Okay.
I'm at 8:33.
Okay.
I'm at 8:33.
Okay.
I'm at 8:33.
Okay.
I'm at 8:33.
Okay.
I'm at 8:33.
Okay.
I'm at 8:33.
Okay.
I'm at 8:33.